Chapter XI

AT THE APPOINTED time I returned to Miss Havisham's, and my hesitating ring at the gate brought out Estella. She locked it after admitting me, as she had done before, and again preceded me into the dark passage where her candle stood. She took no notice of me until she had the candle in her hand, when she looked over her shoulder, superciliously saying, “You are to come this way to-day,” and took me to quite another part of the house.

The passage was a long one, and seemed to pervade the whole square basement of the Manor House. We traversed but one side of the square, however, and at the end of it she stopped and put her candle down and opened a door. Here, the daylight reappeared, and I found myself in a small paved courtyard, the opposite side of which was formed by a detached dwelling-house, that looked as if it had once belonged to the manager or head clerk of the extinct brewery. There was a clock in the outer wall of this house. Like the clock in Miss Havisham's room, and like Miss Havisham's watch, it had stopped at twenty minutes to nine.

We went in at the door, which stood open, and into a gloomy room with a low ceiling, on the ground floor at the back. There was some company in the room, and Estella said to me as she joined it, “You are to go and stand there, boy, till you are wanted.” “There” being the window, I crossed to it, and stood “there,” in a very uncomfortable state of mind, looking out.

It opened to the ground, and looked into a most miserable corner of the neglected garden, upon a rank ruin of cabbage-stalks, and one box-tree that had been clipped round long ago, like a pudding, and had a new growth at the top of it, out of shape and of a different colour, as if that part of the pudding had stuck to the saucepan and got burnt. This was my homely thought, as I contemplated the box-tree. There had been some light snow, overnight, and it lay nowhere else to my knowledge; but, it had not quite melted from the cold shadow of this bit of garden, and the wind caught it up in little eddies and threw it at the window, as if it pelted me for coming there.

I divined that my coming had stopped conversation in the room, and that its other occupants were looking at me. I could see nothing of the room except the shining of the fire in the window glass, but I stiffened in all my joints with the consciousness that I was under close inspection.

There were three ladies in the room and one gentleman. Before I had been standing at the window five minutes, they somehow conveyed to me that they were all toadies and humbugs, but that each of them pretended not to know that the others were toadies and humbugs: because the admission that he or she did know it, would have made him or her out to be a toady and humbug.

They all had a listless and dreary air of waiting somebody's pleasure, and the most talkative of the ladies had to speak quite rigidly to repress a yawn. This lady, whose name was Camilla, very much reminded me of my sister, with the difference that she was older, and (as I found when I caught sight of her) of a blunter cast of features. Indeed, when I knew her better I began to think it was a mercy she had any features at all, so very blank and high was the dead wall of her face.

“Poor dear soul!” said this lady, with an abruptness of manner quite my sister's. “Nobody's enemy but his own!”

“It would be much more commendable to be somebody else's enemy,” said the gentleman; “far more natural.”

“Cousin Raymond,” observed another lady, “we are to love our neighbour.”

“Sarah Pocket,” returned Cousin Raymond, “if a man is not his own neighbour, who is?”

Miss Pocket laughed, and Camilla laughed and said (checking a yawn), “The idea!” But I thought they seemed to think it rather a good idea too. The other lady, who had not spoken yet, said gravely and emphatically, “Very true!”

“Poor soul!” Camilla presently went on (I knew they had all been looking at me in the mean time), “he is so very strange! Would any one believe that when Tom's wife died, he actually could not be induced to see the importance of the children's having the deepest of trimmings to their mourning? ‘Good Lord!’ says he, ‘Camilla, what can it signify so long as the poor bereaved little things are in black?’ So like Matthew! The idea!”

“Good points in him, good points in him,” said Cousin Raymond; “Heaven forbid I should deny good points in him; but he never had, and he never will have, any sense of the proprieties.”

“You know I was obliged,” said Camilla, “I was obliged to be firm. I said, ‘It WILL NOT DO, for the credit of the family.’ I told him that, without deep trimmings, the family was disgraced. I cried about it from breakfast till dinner. I injured my digestion. And at last he flung out in his violent way, and said, with a D, ‘Then do as you like.’ Thank Goodness it will always be a consolation to me to know that I instantly went out in a pouring rain and bought the things.”

He paid for them, did he not?” asked Estella.

“It's not the question, my dear child, who paid for them,” returned Camilla. “I bought them. And I shall often think of that with peace, when I wake up in the night.”

The ringing of a distant bell, combined with the echoing of some cry or call along the passage by which I had come, interrupted the conversation and caused Estella to say to me, “Now, boy!” On my turning round, they all looked at me with the utmost contempt, and, as I went out, I heard Sarah Pocket say, “Well I am sure! What next!” and Camilla add, with indignation, “Was there ever such a fancy! The i-de-a!”

As we were going with our candle along the dark passage, Estella stopped all of a sudden, and, facing round, said in her taunting manner, with her face quite close to mine:

“Well?”

“Well, miss,” I answered, almost falling over her and checking myself.

She stood looking at me, and of course I stood looking at her.

“Am I pretty?”

“Yes; I think you are very pretty.”

“Am I insulting?”

“Not so much so as you were last time,” said I.

“Not so much so?”

“No.”

She fired when she asked the last question, and she slapped my face with such force as she had, when I answered it.

“Now?” said she. “You little coarse monster, what do you think of me now?”

“I shall not tell you.”

“Because you are going to tell upstairs. Is that it?”

“No,” said I, “that's not it.”

“Why don't you cry again, you little wretch?”

“Because I'll never cry for you again,” said I. Which was, I suppose, as false a declaration as ever was made; for I was inwardly crying for her then, and I know what I know of the pain she cost me afterwards.

We went on our way upstairs after this episode; and, as we were going up, we met a gentleman groping his way down.

“Whom have we here?” asked the gentleman, stopping and looking at me.

“A boy,” said Estella.

He was a burly man of an exceedingly dark complexion, with an exceedingly large head and a corresponding large hand. He took my chin in his large hand and turned up my face to have a look at me by the light of the candle. He was prematurely bald on the top of his head, and had bushy black eyebrows that wouldn't lie down, but stood up bristling. His eyes were set very deep in his head, and were disagreeably sharp and suspicious. He had a large watchchain, and strong black dots where his beard and whiskers would have been if he had let them. He was nothing to me, and I could have had no foresight then, that he ever would be anything to me, but it happened that I had this opportunity of observing him well.

“Boy of the neighbourhood? Hey?” said he.

“Yes, sir,” said I.

“How do you come here?”

“Miss Havisham sent for me, sir,” I explained.

“Well! Behave yourself. I have a pretty large experience of boys, and you're a bad set of fellows. Now mind!” said he, biting the side of his great forefinger as he frowned at me, “you behave yourself!”

With those words he released me—which I was glad of, for his hand smelt of scented soap—and went his way downstairs. I wondered whether he could be a doctor; but no, I thought; he couldn't be a doctor, or he would have a quieter and more persuasive manner. There was not much time to consider the subject, for we were soon in Miss Havisham's room, where she and everything else were just as I had left them. Estella left me standing near the door, and I stood there until Miss Havisham cast her eyes upon me from the dressing-table.

“So!” she said, without being startled or surprised; “the days have worn away, have they?”

“Yes, ma'am. To-day is—”

“There, there, there!” with the impatient movement of her fingers. “I don't want to know. Are you ready to play?”

I was obliged to answer in some confusion, “I don't think I am, ma'am.”

“Not at cards again?” she demanded with a searching look.

“Yes, ma'am; I could do that, if I was wanted.”

“Since this house strikes you old and grave, boy,” said Miss Havisham, impatiently, “and you are unwilling to play, are you willing to work?”

I could answer this inquiry with a better heart than I had been able to find for the other question, and I said I was quite willing.

“Then go into that opposite room,” said she, pointing at the door behind me with her withered hand, “and wait there till I come.”

I crossed the staircase landing, and entered the room she indicated. From that room, too, the daylight was completely excluded, and it had an airless smell that was oppressive. A fire had been lately kindled in the damp oldfashioned grate, and it was more disposed to go out than to burn up, and the reluctant smoke which hung in the room seemed colder than the clearer air like our own marsh mist. Certain wintry branches of candles on the high chimneypiece faintly lighted the chamber; or, it would be more expressive to say, faintly troubled its darkness. It was spacious, and I dare say had once been handsome, but every discernible thing in it was covered with dust and mould, and dropping to pieces. The most prominent object was a long table with a tablecloth spread on it, as if a feast had been in preparation when the house and the clocks all stopped together. An épergne or centre-piece of some kind was in the middle of this cloth; it was so heavily overhung with cobwebs that its form was quite undistinguishable; and, as I looked along the yellow expanse out of which I remember its seeming to grow, like a black fungus, I saw speckle-legged spiders with blotchy bodies running home to it, and running out from it, as if some circumstances of the greatest public importance had just transpired in the spider community.

I heard the mice too, rattling behind the panels, as if the same occurrence were important to their interests. But the blackbeetles took no notice of the agitation, and groped about the hearth in a ponderous elderly way, as if they were shortsighted and hard of hearing, and not on terms with one another.

These crawling things had fascinated my attention, and I was watching them from a distance, when Miss Havisham laid a hand upon my shoulder. In her other hand she had a crutch-headed stick on which she leaned, and she looked like the Witch of the place.

“This,” said she, pointing to the long table with her stick, “is where I will be laid when I am dead. They shall come and look at me here.”

With some vague misgiving that she might get upon the table then and there and die at once, the complete realisation of the ghastly waxwork at the Fair, I shrank under her touch.

“What do you think that is?” she asked me, again pointing with her stick; “that, where those cobwebs are?”

“I can't guess what it is, ma'am.”

“It's a great cake. A bride-cake. Mine!”

She looked all round the room in a glaring manner, and then said, leaning on me while her hand twitched my shoulder, “Come, come, come! Walk me, walk me!”

I made out from this, that the work I had to do, was to walk Miss Havisham round and round the room. Accordingly, I started at once, and she leaned upon my shoulder, and we went away at a pace that might have been an imitation (founded on my first impulse under that roof) of Mr. Pumblechook's chaise-cart.

She was not physically strong, and after a little time said, “Slower!” Still, we went at an impatient fitful speed, and as we went, she twitched the hand upon my shoulder, and worked her mouth, and led me to believe that we were going fast because her thoughts went fast. After a while she said, “Call Estella!” so I went out on the landing and roared that name as I had done on the previous occasion. When her light appeared, I returned to Miss Havisham, and we started away again round and round the room.

If only Estella had come to be a spectator of our proceedings, I should have felt sufficiently discontented; but, as she brought with her the three ladies and the gentleman whom I had seen below, I didn't know what to do. In my politeness, I would have stopped; but, Miss Havisham twitched my shoulder, and we posted on—with a shame-faced consciousness on my part that they would think it was all my doing.

“Dear Miss Havisham,” said Miss Sarah Pocket. “How well you look!”

“I do not,” returned Miss Havisham. “I am yellow skin and bone.”

Camilla brightened when Miss Pocket met with this rebuff; and she murmured, as she plaintively contemplated Miss Havisham, “Poor dear soul! Certainly not to be expected to look well, poor thing. The idea!”

“And how are you?” said Miss Havisham to Camilla. As we were close to Camilla then, I would have stopped as a matter of course, only Miss Havisham wouldn't stop. We swept on, and I felt that I was highly obnoxious to Camilla.

“Thank you, Miss Havisham,” she returned, “I am as well as can be expected.”

“Why, what's the matter with you?” asked Miss Havisham, with exceeding sharpness.

“Nothing worth mentioning,” replied Camilla. “I don't wish to make a display of my feelings, but I have habitually thought of you more in the night than I am quite equal to.”

“Then don't think of me,” retorted Miss Havisham.

“Very easily said!” remarked Camilla, amiably repressing a sob, while a hitch came into her upper lip, and her tears overflowed. “Raymond is a witness what ginger and sal volatile I am obliged to take in the night. Raymond is a witness what nervous jerkings I have in my legs. Chokings and nervous jerkings, however, are nothing new to me when I think with anxiety of those I love. If I could be less affectionate and sensitive, I should have a better digestion and an iron set of nerves. I am sure I wish it could be so. But as to not thinking of you in the night—the idear!” Here, a burst of tears.

The Raymond referred to, I understood to be the gentleman present, and him I understood to be Mr. Camilla. He came to the rescue at this point, and said in a consolatory and complimentary voice, “Camilla, my dear, it is well known that your family feelings are gradually undermining you to the extent of making one of your legs shorter than the other.”

“I am not aware,” observed the grave lady whose voice I had heard but once, “that to think of any person is to make a great claim upon that person, my dear.”

Miss Sarah Pocket, whom I now saw to be a little dry brown corrugated old woman, with a small face that might have been made of walnut shells, and a large mouth like a cat's without the whiskers, supported this position by saying, “No, indeed, my dear. Hem!”

“Thinking is easy enough,” said the grave lady.

“What is easier, you know?” assented Miss Sarah Pocket.

“Oh, yes, yes!” cried Camilla, whose fermenting feelings appeared to rise from her legs to her bosom. “It's all very true! It's a weakness to be so affectionate, but I can't help it. No doubt my health would be much better if it was otherwise, still I wouldn't change my disposition if I could. It's the cause of much suffering, but it's a consolation to know I possess it, when I wake up in the night.” Here another burst of feeling.

Miss Havisham and I had never stopped all this time, but kept going round and round the room: now, brushing against the skirts of the visitors: now, giving them the whole length of the dismal chamber.

“There's Matthew!” said Camilla. “Never mixing with any natural ties, never coming here to see how Miss Havisham is! I have taken to the sofa with my stay-lace cut, and have lain there hours, insensible, with my head over the side, and my hair all down, and my feet I don't know where—”

(“Much higher than your head, my love,” said Mr. Camilla.)

“I have gone off into that state, hours and hours, on account of Matthew's strange and inexplicable conduct, and nobody has thanked me.”

“Really I must say I should think not!” interposed the grave lady.

“You see, my dear,” added Miss Sarah Pocket (a blandly vicious personage), “the question to put to yourself is, who did you expect to thank you, my love?”

“Without expecting any thanks, or anything of the sort,” resumed Camilla, “I have remained in that state hours and hours, and Raymond is a witness of the extent to which I have choked, and what the total inefficacy of ginger has been, and I have been heard at the pianoforte-tuner's across the street, where the poor mistaken children have even supposed it to be pigeons cooing at a distance—and now to be told—” Here Camilla put her hand to her throat, and began to be quite chemical as to the formation of new combinations there.

When this same Matthew was mentioned, Miss Havisham stopped me and herself, and stood looking at the speaker. This change had a great influence in bringing Camilla's chemistry to a sudden end.

“Matthew will come and see me at last,” said Miss Havisham, sternly, “when I am laid on that table. That will be his place—there,” striking the table with her stick, “at my head! And yours will be there! And your husband's there! And Sarah Pocket's there! And Georgiana's there! Now you all know where to take your stations when you come to feast upon me. And now go!”

At the mention of each name, she had struck the table with her stick in a new place. She now said, “Walk me, walk me!” and we went on again.

“I suppose there's nothing to be done,” exclaimed Camilla, “but comply and depart. It's something to have seen the object of one's love and duty, for even so short a time. I shall think of it with a melancholy satisfaction when I wake up in the night. I wish Matthew could have that comfort, but he sets it at defiance. I am determined not to make a display of my feelings, but it's very hard to be told one wants to feast on one's relations—as if one was a Giant—and to be told to go. The bare idea!”

Mr. Camilla interposing, as Mrs. Camilla laid her hand upon her heaving bosom, that lady assumed an unnatural fortitude of manner which I supposed to be expressive of an intention to drop and choke when out of view, and kissing her hand to Miss Havisham, was escorted forth. Sarah Pocket and Georgiana contended who should remain last; but, Sarah was too knowing to be outdone, and ambled round Georgiana with that artful slipperiness, that the latter was obliged to take precedence. Sarah Pocket then made her separate effect of departing with, “Bless you, Miss Havisham dear!” and with a smile of forgiving pity on her walnut-shell countenance for the weaknesses of the rest.

While Estella was away lighting them down, Miss Havisham still walked with her hand on my shoulder, but more and more slowly. At last she stopped before the fire, and said, after muttering and looking at it some seconds:

“This is my birthday, Pip.”

I was going to wish her many happy returns, when she lifted her stick.

“I don't suffer it to be spoken of. I don't suffer those who were here just now, or any one, to speak of it. They come here on the day, but they dare not refer to it.”

Of course I made no further effort to refer to it.

“On this day of the year, long before you were born, this heap of decay,” stabbing with her crutched stick at the pile of cobwebs on the table, but not touching it, “was brought here. It and I have worn away together. The mice have gnawed at it, and sharper teeth than teeth of mice have gnawed at me.”

She held the head of her stick against her heart as she stood looking at the table; she in her once white dress, all yellow and withered; the once white cloth all yellow and withered; everything around, in a state to crumble under a touch.

“When the ruin is complete,” said she, with a ghastly look, “and when they lay me dead, in my bride's dress on the bride's table—which shall be done, and which will be the finished curse upon him—so much the better if it is done on this day!”

She stood looking at the table as if she stood looking at her own figure lying there. I remained quiet. Estella returned, and she too remained quiet. It seemed to me that we continued thus for a long time. In the heavy air of the room, and the heavy darkness that brooded in its remoter corners, I even had an alarming fancy that Estella and I might presently begin to decay.

At length, not coming out of her distraught state by degrees, but in an instant, Miss Havisham said, “Let me see you two play at cards; why have you not begun?” With that, we returned to her room, and sat down as before; I was beggared, as before; and again, as before, Miss Havisham watched us all the time, directed my attention to Estella's beauty, and made me notice it the more by trying her jewels on Estella's breast and hair.

Estella, for her part, likewise treated me as before: except that she did not condescend to speak. When we had played some half-dozen games, a day was appointed for my return, and I was taken down into the yard to be fed in the former dog-like manner. There, too, I was again left to wander about as I liked.

It is not much to the purpose whether a gate in that garden wall which I had scrambled up to peep over on the last occasion was, on that last occasion, open or shut. Enough that I saw no gate then, and that I saw one now. As it stood open, and as I knew that Estella had let the visitors out—for, she had returned with the keys in her hand—I strolled into the garden, and strolled all over it. It was quite a wilderness, and there were old melon-frames and cucumber-frames in it, which seemed in their decline to have produced a spontaneous growth of weak attempts at pieces of old hats and boots, with now and then a weedy offshoot into the likeness of a battered saucepan.

When I had exhausted the garden and a greenhouse with nothing in it but a fallen-down grape-vine and some bottles, I found myself in the dismal corner upon which I had looked out of the window. Never questioning for a moment that the house was now empty, I looked in at another window, and found myself, to my great surprise, exchanging a broad stare with a pale young gentleman with red eyelids and light hair.

This pale young gentleman quickly disappeared, and reappeared beside me. He had been at his books when I had found myself staring at him, and I now saw that he was inky.

“Halloa!” said he, “young fellow!”

Halloa being a general observation which I had usually observed to be best answered by itself, I said, “Halloa!” politely omitting young fellow.

“Who let you in?” said he.

“Miss Estella.”

“Who gave you leave to prowl about?”

“Miss Estella.”

“Come and fight,” said the pale young gentleman.

What could I do but follow him? I have often asked myself the question since: but, what else could I do? His manner was so final and I was so astonished, that I followed where he led, as if I had been under a spell.

“Stop a minute, though,” he said, wheeling round before we had gone many paces. “I ought to give you a reason for fighting, too. There it is!” In a most irritating manner he instantly slapped his hands against one another, daintily flung one of his legs up behind him, pulled my hair, slapped his hands again, dipped his head, and butted it into my stomach.

The bull-like proceeding last mentioned, besides that it was unquestionably to be regarded in the light of a liberty, was particularly disagreeable just after bread and meat. I therefore hit out at him, and was going to hit out again, when he said, “Aha! Would you?” and began dancing backwards and forwards in a manner quite unparalleled within my limited experience.

“Laws of the game!” said he. Here, he skipped from his left leg on to his right. “Regular rules!” Here, he skipped from his right leg on to his left. “Come to the ground, and go through the preliminaries!” Here, he dodged backwards and forwards, and did all sorts of things while I looked helplessly at him.

I was secretly afraid of him when I saw him so dexterous; but, I felt morally and physically convinced that his light head of hair could have had no business in the pit of my stomach, and that I had a right to consider it irrelevant when so obtruded on my attention. Therefore, I followed him without a word, to a retired nook of the garden, formed by the junction of two walls and screened by some rubbish. On his asking me if I was satisfied with the ground, and on my replying Yes, he begged my leave to absent himself for a moment, and quickly returned with a bottle of water and a sponge dipped in vinegar. “Available for both,” he said, placing these against the wall. And then fell to pulling off, not only his jacket and waistcoat, but his shirt too, in a manner at once light-hearted, business-like, and bloodthirsty.

Although he did not look very healthy—having pimples on his face, and a breaking out at his mouth—these dreadful preparations quite appalled me. I judged him to be about my own age, but he was much taller, and he had a way of spinning himself about that was full of appearance. For the rest, he was a young gentleman in a gray suit (when not denuded for battle), with his elbows, knees, wrists, and heels considerably in advance of the rest of him as to development.

My heart failed me when I saw him squaring at me with every demonstration of mechanical nicety, and eyeing my anatomy as if he were minutely choosing his bone. I never have been so surprised in my life, as I was when I let out the first blow, and saw him lying on his back, looking up at me with a bloody nose and his face exceedingly fore-shortened.

But, he was on his feet directly, and after sponging himself with a great show of dexterity began squaring again. The second greatest surprise I have ever had in my life was seeing him on his back again, looking up at me out of a black eye.

His spirit inspired me with great respect. He seemed to have no strength, and he never once hit me hard, and he was always knocked down; but he would be up again in a moment, sponging himself or drinking out of the water-bottle, with the greatest satisfaction in seconding himself according to form, and then came at me with an air and a show that made me believe he really was going to do for me at last. He got heavily bruised, for I am sorry to record that the more I hit him, the harder I hit him; but, he came up again and again and again, until at last he got a bad fall with the back of his head against the wall. Even after that crisis in our affairs, he got up and turned round and round confusedly a few times, not knowing where I was; but finally went on his knees to his sponge and threw it up: at the same time panting out, “That means you have won.”

He seemed so brave and innocent, that although I had not proposed the contest, I felt but a gloomy satisfaction in my victory. Indeed, I go so far as to hope that I regarded myself while dressing, as a species of savage young wolf, or other wild beast. However, I got dressed, darkly wiping my sanguinary face at intervals, and I said, “Can I help you?” and he said “No thankee,” and I said, “Good afternoon,” and he said “Same to you.”

When I got into the courtyard, I found Estella waiting with the keys. But, she neither asked me where I had been, nor why I had kept her waiting; and there was a bright flush upon her face, as though something had happened to delight her. Instead of going straight to the gate, too, she stepped back into the passage, and beckoned me.

“Come here! You may kiss me if you like.”

I kissed her cheek as she turned it to me. I think I would have gone through a great deal to kiss her cheek. But, I felt that the kiss was given to the coarse common boy as a piece of money might have been, and that it was worth nothing.

What with the birthday visitors, and what with the cards, and what with the fight, my stay had lasted so long, that when I neared home the light on the spit of sand off the point on the marshes was gleaming against a black night sky, and Joe's furnace was flinging a path of fire across the road.

Footnotes

  1. This is an excellent way for Dickens to introduce and describe a man who will be of such importance throughout the novel. Jaggers' face is very close to Pip's and lighted by a candle. Dickens will not have to describe this man again--neither his appearance, nor his personality, nor his character. The author wants to make sure that Pip will recognize the big, overbearing lawyer when he comes to the tavern to tell the boy about his "great expectations." The fact that Pip connects Jaggers with Miss Havisham helps to convince him that the old lady must be his secret benefactress. Jaggers is definitely the kind of man who can keep facts compartmentalized in his brain. He can represent Miss Havisham and Abel Magwitch without ever betraying a hint of the real truth about Pip's good fortune. It is significant that in this same paragraph Pip says 

    He was nothing to me, and I could have no foresight then, that he ever would be anything to me, but it happened that I had this opportunity of observing him well.

    So, at the same time that Jaggers is examining Pip closely, Pip is also examining Jaggers. This is very good writing!

    — William Delaney
  2. Dickens wants to have Pip meet Herbert Pocket who will become his best friend in the future. By having Herbert, the pale young gentleman, challenge Pip to a boxing match, Dickens adds a little conflict to the meeting as well as to this chapter in which a lot of new characters are introduced. Conflict is the heart and soul of drama. Dickens introduces conflict in virtually every chapter. For example, there is always a little conflict between Pip and Estella, even though Pip is crazy about her. This is a way of keeping his story lively. The fight also characterizes Herbert to some extent. He is a spunky kid who plays strictly by the rules. He is a young gentleman. Herbert and Pip will meet again in Chapter XXI.

    — William Delaney
  3. "rattling" is a good description. Over the years bits of plaster would fall off the lathes and down to the bottom inside the walls. When the mice ran over these hard bits of plaster they would make a rattling noise. This sound helps to convey the impression of the decay the whole building is undergoing.

    — William Delaney
  4. Pip does not have the slightest notion that this man, Mr. Jaggers, will one day become his guardian or that Jaggers is a London lawyer. In the future Pip will observe that the lawyer has a hand-washing compulsion. Evidently Jaggers dislikes dealing with many of the people he represents in criminal cases, and he has developed a habit of washing his hands thoroughly with scented soap after nearly every interview with anyone, as if he is trying to wash them out of his mind. Pip describes Jaggers' compulsion in Ch. 26:

    I embrace this opportunity of remarking that he washed his clients off, as if it were a surgeon or a dentist. He had a closet in his room, fitted up for the purpose, which smelt of the scented soap like a perfumer's shop. It had an unusually large jack-towel on a roller inside the door, and he would wash his hands, and wipe them and dry them all over this towel, whenever he came in from a police-court or dismissed a client from his room. When I and my friends repaired to him at six o'clock next day, he seemed to have been engaged on a case of a darker complexion than usual, for, we found him with his head butted into this closet, not only washing his hands, but laving his face and gargling his throat. And even when he had done all that, and had gone all round the jack-towel, he took out his penknife and scraped the case out of his nails before he put his coat on.

    Another famous literary character who develops a hand-washing compulsion is Shakespeare's Lady Macbeth.

    — William Delaney
  5. It is not only Pip who believes for many years that Miss Havisham is his benefactress and the sole source of his great expectations. The reader is also convinced of this until Abel Magwitch reveals himself to Pip in Chapter 39 when Pip is twenty-three years old. Miss Havisham's four relatives whom Pip describes as toadies (flatterers) and humbugs, are introduced here in order to help buttress the misleading idea that Miss Havisham is going to be Pip's benefactress. These unpleasant, greedy people--Camilla, Raymond, Sarah, and Georgiana--are only interested in one thing: they are looking forward to inheriting Miss Havisham's wealth and wishing the old lady would hurry up and die. They all regard Pip with dislike and suspicion. They naturally assume he is a toady and humbug like themselves who is after some of Miss Havisham's money.

    The ringing of a distant bell, combined with the echoing of some cry or call along the passage by which I had come, interrupted the conversation and caused Estella to say to me, “Now, boy!” On my turning round, they all looked at me with the utmost contempt, and, as I went out, I heard Sarah Pocket say, “Well I am sure! What next!” and Camilla add, with indignation, “Was there ever such a fancy! The i-de-a!”

    Later in the story if Pip, or the reader, wonders why Miss Havisham would want to keep her identity as Pip's benefactress an important secret (which is essential to the plot) the logical explanation would be that she is afraid that her relatives might create trouble if they suspected she was going to leave the buik of her estate to a "common laboring boy" as one of her whims. These relatives, all so meek and caring, could conceivably get the notion of taking legal action to have Miss Havisham declared mentally incompetent and have themselves, or have the one male member of the foursome, Cousin Raymond, made her guardians and conservators of her estate. If they were successful they might put her in a mental hospital. They could not only cut her off from Pip, but they could also cut her off from Estella, and thereby deprive both young persons of their expectations. This is a good explanation of the second condition under which Pip receives his bounty. The other condition, having to keep the name of Pip, could be attributed to Miss Havisham's fondness for the boy and to her obvious eccentricity.

    The real truth is that Miss Havisham is not at all afraid of her greedy relatives (for one thing, she has the formidable Mr. Jaggers to protect her); but she is delighted in tormenting and tantalizing them by letting them think she might leave everything to Pip and Estella jointly.

    In this chapter Pip also meets Mr. Jaggers for the first time.

    He was a burly man of an exceedingly dark complexion, with an exceedingly large head and a corresponding large hand. He took my chin in his large hand and turned up my face to have a look at me by the light of the candle. He was prematurely bald on the top of his head, and had bushy black eyebrows that wouldn't lie down, but stood up bristling. His eyes were set very deep in his head, and were disagreeably sharp and suspicious. He had a large watchchain, and strong black dots where his beard and whiskers would have been if he had let them. He was nothing to me, and I could have had no foresight then, that he ever would be anything to me, but it happened that I had this opportunity of observing him well.

    It is Mr. Jaggers who sometime later meets him and Joe at the Three Jolly Bargemen and reveals Pip's great expectations. So it is natural for Pip to assume that Jaggers is representing Miss Havisham in this matter, whereas the lawyer is really representing Abel Magwitch in New South Wales.

    Finally, In this important chapter Pip also meets Herbert Pocket for the first time. Since Mr. Jaggers will arrange for Pip to share a flat with Herbert in London, and since Herbert and his father Matthew are both relatives of Miss Havisham, this further misleads Pip--*and the reader!--*into believing that Miss Havisham, and only Miss Havisham, must be Pip's anonymous patron; and further, that she wishes to remain anonymous because she wants to keep it a secret from her four greedy relatives.

    — William Delaney
  6. Pip will use this tablecloth much later in the novel in attempting to smother the flames that are consuming the bridal dress Miss Havisham accidentally ignites by the fireplace in Chapter 49.

    I had a double-caped great-goat on, and over my arm another thick coat. That I got them off, closed with her, threw her down, and got them over her; that I dragged the great cloth from the table for the same purpose, and with it dragged down the heap of rottenness in the midst, and all the ugly things that sheltered there; that we were on the ground struggling like desperate enemies, and that the closer I covered her, the more wildly she shrieked and tried to free herself; that that occurred I knew through the result, but not through anything I felt, or thought, or knew I did.

    — William Delaney