Part II

A week had passed since they had made acquaintance. It was a holiday. It was sultry indoors, while in the street the wind whirled the dust round and round, and blew people's hats off. It was a thirsty day, and Gurov often went into the pavilion, and pressed Anna Sergeyevna to have syrup and water or an ice. One did not know what to do with oneself.

In the evening when the wind had dropped a little, they went out on the groyne to see the steamer come in. There were a great many people walking about the harbour; they had gathered to welcome some one, bringing bouquets. And two peculiarities of a well-dressed Yalta crowd were very conspicuous: the elderly ladies were dressed like young ones, and there were great numbers of generals.

Owing to the roughness of the sea, the steamer arrived late, after the sun had set, and it was a long time turning about before it reached the groyne. Anna Sergeyevna looked through her lorgnette at the steamer and the passengers as though looking for acquaintances, and when she turned to Gurov her eyes were shining. She talked a great deal and asked disconnected questions, forgetting next moment what she had asked; then she dropped her lorgnette in the crush.

The festive crowd began to disperse; it was too dark to see people's faces. The wind had completely dropped, but Gurov and Anna Sergeyevna still stood as though waiting to see some one else come from the steamer. Anna Sergeyevna was silent now, and sniffed the flowers without looking at Gurov.

"The weather is better this evening," he said. "Where shall we go now? Shall we drive somewhere?"

She made no answer.

Then he looked at her intently, and all at once put his arm round her and kissed her on the lips, and breathed in the moisture and the fragrance of the flowers; and he immediately looked round him, anxiously wondering whether any one had seen them.

"Let us go to your hotel," he said softly. And both walked quickly.

The room was close and smelt of the scent she had bought at the Japanese shop. Gurov looked at her and thought: "What different people one meets in the world!" From the past he preserved memories of careless, good-natured women, who loved cheerfully and were grateful to him for the happiness he gave them, however brief it might be; and of women like his wife who loved without any genuine feeling, with superfluous phrases, affectedly, hysterically, with an expression that suggested that it was not love nor passion, but something more significant; and of two or three others, very beautiful, cold women, on whose faces he had caught a glimpse of a rapacious expression--an obstinate desire to snatch from life more than it could give, and these were capricious, unreflecting, domineering, unintelligent women not in their first youth, and when Gurov grew cold to them their beauty excited his hatred, and the lace on their linen seemed to him like scales.

But in this case there was still the diffidence, the angularity of inexperienced youth, an awkward feeling; and there was a sense of consternation as though some one had suddenly knocked at the door. The attitude of Anna Sergeyevna--"the lady with the dog"--to what had happened was somehow peculiar, very grave, as though it were her fall--so it seemed, and it was strange and inappropriate. Her face dropped and faded, and on both sides of it her long hair hung down mournfully; she mused in a dejected attitude like "the woman who was a sinner" in an old-fashioned picture.

"It's wrong," she said. "You will be the first to despise me now."

There was a water-melon on the table. Gurov cut himself a slice and began eating it without haste. There followed at least half an hour of silence.

Anna Sergeyevna was touching; there was about her the purity of a good, simple woman who had seen little of life. The solitary candle burning on the table threw a faint light on her face, yet it was clear that she was very unhappy.

"How could I despise you?" asked Gurov. "You don't know what you are saying."

"God forgive me," she said, and her eyes filled with tears. "It's awful."

"You seem to feel you need to be forgiven."

"Forgiven? No. I am a bad, low woman; I despise myself and don't attempt to justify myself. It's not my husband but myself I have deceived. And not only just now; I have been deceiving myself for a long time. My husband may be a good, honest man, but he is a flunkey! I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him. I have been tormented by curiosity; I wanted something better. 'There must be a different sort of life,' I said to myself. I wanted to live! To live, to live! . . . I was fired by curiosity . . . you don't understand it, but, I swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here. . . . And here I have been walking about as though I were dazed, like a mad creature; . . . and now I have become a vulgar, contemptible woman whom any one may despise."

Gurov felt bored already, listening to her. He was irritated by the naive tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part.

"I don't understand," he said softly. "What is it you want?"

She hid her face on his breast and pressed close to him.

"Believe me, believe me, I beseech you . . ." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me."

"Hush, hush! . . ." he muttered.

He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing.

Afterwards when they went out there was not a soul on the sea-front. The town with its cypresses had quite a deathlike air, but the sea still broke noisily on the shore; a single barge was rocking on the waves, and a lantern was blinking sleepily on it.

They found a cab and drove to Oreanda.

"I found out your surname in the hall just now: it was written on the board--Von Diderits," said Gurov. "Is your husband a German?"

"No; I believe his grandfather was a German, but he is an Orthodox Russian himself."

At Oreanda they sat on a seat not far from the church, looked down at the sea, and were silent. Yalta was hardly visible through the morning mist; white clouds stood motionless on the mountain-tops. The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence.

A man walked up to them--probably a keeper--looked at them and walked away. And this detail seemed mysterious and beautiful, too. They saw a steamer come from Theodosia, with its lights out in the glow of dawn.

"There is dew on the grass," said Anna Sergeyevna, after a silence.

"Yes. It's time to go home."

They went back to the town.

Then they met every day at twelve o'clock on the sea-front, lunched and dined together, went for walks, admired the sea. She complained that she slept badly, that her heart throbbed violently; asked the same questions, troubled now by jealousy and now by the fear that he did not respect her sufficiently. And often in the square or gardens, when there was no one near them, he suddenly drew her to him and kissed her passionately. Complete idleness, these kisses in broad daylight while he looked round in dread of some one's seeing them, the heat, the smell of the sea, and the continual passing to and fro before him of idle, well-dressed, well-fed people, made a new man of him; he told Anna Sergeyevna how beautiful she was, how fascinating. He was impatiently passionate, he would not move a step away from her, while she was often pensive and continually urged him to confess that he did not respect her, did not love her in the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful.

They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go.

"It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!"

She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said:

"Let me look at you once more . . . look at you once again. That's right."

She did not shed tears, but was so sad that she seemed ill, and her face was quivering.

"I shall remember you . . . think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever --it must be so, for we ought never to have met. Well, God be with you."

The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory. . . . He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her. . . .

Here at the station was already a scent of autumn; it was a cold evening.

"It's time for me to go north," thought Gurov as he left the platform. "High time!"

Footnotes

  1. Anna's leaving has prompted a variety of emotions in Gurov--notably, the slight remorse suggests something different from his previous casual affairs. However, we do learn that while Gurov was intentionally affectionate and attentive to Anna for the purposes of the seduction, Chekhov indicates that there may be some regret at this deception--especially considering Gurov's earlier thoughts on the inherent beauty of things.

    — Wesley, Owl Eyes Editor
  2. In an interesting moment of reflection, Gurov (read: Chekhov) reflects on the value of the world’s inherent, natural beauty and the difficulty of attaining it. This beauty, he remarks, is lost and becomes ugly when people lose sight of it and forget their basic dignity, such as deceiving others, waging war, etc. This passage shows us how Chekhov's characters wish to be free of the deceit marring their relationship in order to aspire to the beauty and dignity described here.

    — Wesley, Owl Eyes Editor
  3. While Chekhov clearly shows that Gurov doesn't care for Anna's questions or behavior---thinking that she perhaps is exaggerating---at the moment, we do see that he notices that she is experiencing real unhappiness and moves to comfort her.

    — Wesley, Owl Eyes Editor
  4. Chekhov reveals much about Anna in this passage as she opens up to Gurov in an attempt to explain herself. We learn that she has deliberately come to Yalta in order to escape her husband, who she doesn't particularly respect, and to find a new experience that will help her feel something new. However, we can see that her guilt at having the affair somewhat overwhelms her while Gurov appears largely unaffected by it.

    — Wesley, Owl Eyes Editor
  5. Anna’s statement is really a question because she expects a response from Gurov. However, Gurov has had so many affairs that he doesn’t think of the moral implications of his actions because he expected it to happen and doesn’t want to discuss it. By waiting such a long time to respond, Gurov demonstrates his insensitivity to her agitation and his apathy towards questions of morality.

    — Wesley, Owl Eyes Editor
  6. Chekhov again contrasts the two characters by showing how Anna feels and reacts after their affair compared to how Gurov does. While Anna regards the event as immoral and sinful behavior, Gurov finds her attitude strange and the notion that she has somehow disgraced herself ridiculous--likely due to his having never taken affairs very seriously.

    — Wesley, Owl Eyes Editor
  7. At this point, Gurov takes a moment to reflect on how Anna is different from all of the other women that have been in his life. While this comment could be attributed to Gurov's promiscuous attitude, it more likely foreshadows the future of their relationship and mutual attraction.

    — Wesley, Owl Eyes Editor
  8. Anna has realized that her husband isn't coming and feels a surge of freedom. Chekhov uses this description to indicate that she knows what Gurov wants from her, and that she has decided to comply at this point. The following description of her nervous and giddy behavior further again reminds us of her innocence and how this is likely a new experience for her.

    — Wesley, Owl Eyes Editor