Chapter IX

THE YOUTH FELL back in the procession until the tattered soldier was not in sight. Then he started to walk on with the others.

But he was amid wounds. The mob of men was bleeding. Because of the tattered soldier's question he now felt that his shame could be viewed. He was continually casting sidelong glances to see if the men were contemplating the letters of guilt he felt burned into his brow.

At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage.

The spectral soldier was at his side like a stalking reproach. The man's eyes were still fixed in a stare into the unknown. His gray, appalling face had attracted attention in the crowd, and men, slowing to his dreary pace, were walking with him. They were discussing his plight, questioning him and giving him advice. In a dogged way he repelled them, signing to them to go on and leave him alone. The shadows of his face were deepening and his tight lips seemed holding in check the moan of great despair. There could be seen a certain stiffness in the movements of his body, as if he were taking infinite care not to arouse the passion of his wounds. As he went on, he seemed always looking for a place, like one who goes to choose a grave.

Something in the gesture of the man as he waved the bloody and pitying soldiers away made the youth start as if bitten. He yelled in horror. Tottering forward he laid a quivering hand upon the man's arm. As the latter slowly turned his waxlike features toward him, the youth screamed:

“Gawd! Jim Conklin!”

The tall soldier made a little commonplace smile. “Hello, Henry,” he said.

The youth swayed on his legs and glared strangely. He stuttered and stammered. “Oh, Jim—oh, Jim—oh, Jim—”

The tall soldier held out his gory hand. There was a curious red and black combination of new blood and old blood upon it. “Where yeh been, Henry?” he asked. He continued in a monotonous voice, “I thought mebbe yeh got keeled over. There 's been thunder t' pay t'-day. I was worryin' about it a good deal.”

The youth still lamented. “Oh, Jim—oh, Jim—oh, Jim—”

“Yeh know,” said the tall soldier, “I was out there.” He made a careful gesture. “An', Lord, what a circus! An', b'jiminey, I got shot—I got shot. Yes, b'jiminey, I got shot.” He reiterated this fact in a bewildered way, as if he did not know how it came about.

The youth put forth anxious arms to assist him, but the tall soldier went firmly on as if propelled. Since the youth's arrival as a guardian for his friend, the other wounded men had ceased to display much interest. They occupied themselves again in dragging their own tragedies toward the rear.

Suddenly, as the two friends marched on, the tall soldier seemed to be overcome by a terror. His face turned to a semblance of gray paste. He clutched the youth's arm and looked all about him, as if dreading to be overheard. Then he began to speak in a shaking whisper:

“I tell yeh what I'm 'fraid of, Henry—I'll tell yeh what I'm 'fraid of. I'm 'fraid I'll fall down—an' then yeh know–them damned artillery wagons—they like as not 'll run over me. That's what I 'm 'fraid of—”

The youth cried out to him hysterically: “I'll take care of yeh, Jim! I'll take care of yeh! I swear t' Gawd I will!”

“Sure—will yeh, Henry?” the tall soldier beseeched.

“Yes—yes—I tell yeh—I'll take care of yeh, Jim!” protested the youth. He could not speak accurately because of the gulpings in his throat.

But the tall soldier continued to beg in a lowly way. He now hung babelike to the youth's arm. His eyes rolled in the wildness of his terror. “I was allus a good friend t' yeh, wa'n't I, Henry? I've allus been a pretty good feller, ain't I? An' it ain't much t' ask, is it? Jest t' pull me along outer th' road? I'd do it fer you, wouldn't I, Henry?”

He paused in piteous anxiety to await his friend's reply.

The youth had reached an anguish where the sobs scorched him. He strove to express his loyalty, but he could only make fantastic gestures.

However, the tall soldier seemed suddenly to forget all those fears. He became again the grim, stalking specter of a soldier. He went stonily forward. The youth wished his friend to lean upon him, but the other always shook his head and strangely protested. “No—no—no—leave me be—leave me be—”

His look was fixed again upon the unknown. He moved with mysterious purpose, and all of the youth's offers he brushed aside. “No—no—leave me be— leave me be—”

The youth had to follow.

Presently the latter heard a voice talking softly near his shoulder. Turning he saw that it belonged to the tattered soldier. “Ye'd better take 'im outa th' road, pardner. There's a batt'ry comin' helitywhoop down th' road an' he'll git runned over. He's a goner anyhow in about five minutes—yeh kin see that. Ye'd better take 'im outa th' road. Where th' blazes does he git his stren'th from?”

“Lord knows!” cried the youth. He was shaking his hands helplessly.

He ran forward presently and grasped the tall soldier by the arm. “Jim! Jim!” he coaxed, “come with me.”

The tall soldier weakly tried to wrench himself free. “Huh,” he said vacantly. He stared at the youth for a moment. At last he spoke as if dimly comprehending. “Oh! Inteh th' fields? Oh!”

He started blindly through the grass.

The youth turned once to look at the lashing riders and jouncing guns of the battery. He was startled from this view by a shrill outcry from the tattered man.

“Gawd! He's runnin'!”

Turning his head swiftly, the youth saw his friend running in a staggering and stumbling way toward a little clump of bushes. His heart seemed to wrench itself almost free from his body at this sight. He made a noise of pain. He and the tattered man began a pursuit. There was a singular race.

When he overtook the tall soldier he began to plead with all the words he could find. “Jim—Jim—what are you doing—what makes you do this way— you'll hurt yerself.”

The same purpose was in the tall soldier's face. He protested in a dulled way, keeping his eyes fastened on the mystic place of his intentions. “No—no—don't tech me—leave me be—leave me be—”

The youth, aghast and filled with wonder at the tall soldier, began quaveringly to question him. “Where yeh goin', Jim? What you thinking about? Where you going? Tell me, won't you, Jim?”

The tall soldier faced about as upon relentless pursuers. In his eyes there was a great appeal. “Leave me be, can't yeh? Leave me be fer a minnit.”

The youth recoiled. “Why, Jim,” he said, in a dazed way, “what's the matter with you?”

The tall soldier turned and, lurching dangerously, went on. The youth and the tattered soldier followed, sneaking as if whipped, feeling unable to face the stricken man if he should again confront them. They began to have thoughts of a solemn ceremony. There was something rite-like in these movements of the doomed soldier. And there was a resemblance in him to a devotee of a mad religion, blood-sucking, muscle-wrenching, bone-crushing. They were awed and afraid. They hung back lest he have at command a dreadful weapon.

At last, they saw him stop and stand motionless. Hastening up, they perceived that his face wore an expression telling that he had at last found the place for which he had struggled. His spare figure was erect; his bloody hands were quietly at his side. He was waiting with patience for something that he had come to meet. He was at the rendezvous. They paused and stood, expectant.

There was a silence.

Finally, the chest of the doomed soldier began to heave with a strained motion. It increased in violence until it was as if an animal was within and was kicking and tumbling furiously to be free.

This spectacle of gradual strangulation made the youth writhe, and once as his friend rolled his eyes, he saw something in them that made him sink wailing to the ground. He raised his voice in a last supreme call.

“Jim—Jim—Jim—”

The tall soldier opened his lips and spoke. He made a gesture. “Leave me be—don't tech me—leave me be—”

There was another silence while he waited.

Suddenly, his form stiffened and straightened. Then it was shaken by a prolonged ague. He stared into space. To the two watchers there was a curious and profound dignity in the firm lines of his awful face.

He was invaded by a creeping strangeness that slowly enveloped him. For a moment the tremor of his legs caused him to dance a sort of hideous hornpipe. His arms beat wildly about his head in expression of implike enthusiasm.

His tall figure stretched itself to its full height. There was a slight rending sound. Then it began to swing forward, slow and straight, in the manner of a falling tree. A swift muscular contortion made the left shoulder strike the ground first.

The body seemed to bounce a little way from the earth. “God!” said the tattered soldier.

The youth had watched, spellbound, this ceremony at the place of meeting. His face had been twisted into an expression of every agony he had imagined for his friend.

He now sprang to his feet and, going closer, gazed upon the pastelike face. The mouth was open and the teeth showed in a laugh.

As the flap of the blue jacket fell away from the body, he could see that the side looked as if it had been chewed by wolves.

The youth turned, with sudden, livid rage, toward the battlefield. He shook his fist. He seemed about to deliver a philippic.

“Hell—”

The red sun was pasted in the sky like a wafer.

Footnotes

  1. As with all battle wounds, untreated shock and loss of blood were the most common killers of wounded soldiers.

    — Stephen Holliday
  2. Even though Civil War soldiers faced death routinely and in many ways, we have thousands of accounts at the surprise expressed by those who suffered wounds in battle, particularly during the first two years of the war.

    — Stephen Holliday
  3. Because this sentence concludes Jim's death scene, scholars have seen the reference to the wafer as an allusion to the wafer, symbolizing Christ's body, in the Last Supper; as an Aztec symbol of sacrifice; an an allusion to a similar image in Rudyard Kipling's works.  Given Crane's view of religion in general, the wafer is most likely meant to describe the sun as a disc, not an element of Christian iconography.

    — Stephen Holliday
  4. A very passionate speech; a tirade designed to move listeners to some action

    — Stephen Holliday