Sonnets 111–120

Sonnet 111

O! for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdu'd
To what it works in, like the dyer's hand:
Pity me, then, and wish I were renew'd;
Whilst, like a willing patient, I will drink,
Potions of eisel 'gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance, to correct correction.
     Pity me then, dear friend, and I assure ye,
     Even that your pity is enough to cure me.

Sonnet 112
Your love and pity doth the impression fill,
Which vulgar scandal stamp'd upon my brow;
For what care I who calls me well or ill,
So you o'er-green my bad, my good allow?
You are my all-the-world, and I must strive
To know my shames and praises from your tongue;
None else to me, nor I to none alive,
That my steel'd sense or changes right or wrong.
In so profound abysm I throw all care
Of others' voices, that my adder's sense
To critic and to flatterer stopped are.
Mark how with my neglect I do dispense:
     You are so strongly in my purpose bred,
     That all the world besides methinks are dead.

Sonnet 113
Since I left you, mine eye is in my mind;
And that which governs me to go about
Doth part his function and is partly blind,
Seems seeing, but effectually is out;
For it no form delivers to the heart
Of bird, of flower, or shape which it doth latch:
Of his quick objects hath the mind no part,
Nor his own vision holds what it doth catch;
For if it see the rud'st or gentlest sight,
The most sweet favour or deformed'st creature,
The mountain or the sea, the day or night:
The crow, or dove, it shapes them to your feature.
     Incapable of more, replete with you,
     My most true mind thus maketh mine untrue.

Sonnet 114
Or whether doth my mind, being crown'd with you,
Drink up the monarch's plague, this flattery?
Or whether shall I say, mine eye saith true,
And that your love taught it this alchemy,
To make of monsters and things indigest
Such cherubins as your sweet self resemble,
Creating every bad a perfect best,
As fast as objects to his beams assemble?
O! 'tis the first, 'tis flattery in my seeing,
And my great mind most kingly drinks it up:
Mine eye well knows what with his gust is 'greeing,
And to his palate doth prepare the cup:
     If it be poison'd, 'tis the lesser sin
     That mine eye loves it and doth first begin.

Sonnet 115
Those lines that I before have writ do lie,
Even those that said I could not love you dearer:
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer.
But reckoning Time, whose million'd accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of altering things;
Alas! why fearing of Time's tyranny,
Might I not then say, 'Now I love you best,'
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
     Love is a babe, then might I not say so,
     To give full growth to that which still doth grow?

Sonnet 117
Accuse me thus: that I have scanted all,
Wherein I should your great deserts repay,
Forgot upon your dearest love to call,
Whereto all bonds do tie me day by day;
That I have frequent been with unknown minds,
And given to time your own dear-purchas'd right;
That I have hoisted sail to all the winds
Which should transport me farthest from your sight.
Book both my wilfulness and errors down,
And on just proof surmise, accumulate;
Bring me within the level of your frown,
But shoot not at me in your waken'd hate;
     Since my appeal says I did strive to prove
     The constancy and virtue of your love.

Sonnet 118
Like as, to make our appetite more keen,
With eager compounds we our palate urge;
As, to prevent our maladies unseen,
We sicken to shun sickness when we purge;
Even so, being full of your ne'er-cloying sweetness,
To bitter sauces did I frame my feeding;
And, sick of welfare, found a kind of meetness
To be diseas'd, ere that there was true needing.
Thus policy in love, to anticipate
The ills that were not, grew to faults assur'd,
And brought to medicine a healthful state
Which, rank of goodness, would by ill be cur'd;
     But thence I learn and find the lesson true,
     Drugs poison him that so fell sick of you.

Sonnet 119
What potions have I drunk of Siren tears,
Distill'd from limbecks foul as hell within,
Applying fears to hopes, and hopes to fears,
Still losing when I saw myself to win!
What wretched errors hath my heart committed,
Whilst it hath thought itself so blessed never!
How have mine eyes out of their spheres been fitted,
In the distraction of this madding fever!
O benefit of ill! now I find true
That better is, by evil still made better;
And ruin'd love, when it is built anew,
Grows fairer than at first, more strong, far greater.
     So I return rebuk'd to my content,
     And gain by ill thrice more than I have spent.

Sonnet 120
That you were once unkind befriends me now,
And for that sorrow, which I then did feel,
Needs must I under my transgression bow,
Unless my nerves were brass or hammer'd steel.
For if you were by my unkindness shaken,
As I by yours, you've pass'd a hell of time;
And I, a tyrant, have no leisure taken
To weigh how once I suffer'd in your crime.
O! that our night of woe might have remember'd
My deepest sense, how hard true sorrow hits,
And soon to you, as you to me, then tender'd
The humble salve, which wounded bosoms fits!
     But that your trespass now becomes a fee;
     Mine ransoms yours, and yours must ransom me.

Footnotes

  1. For in-depth look at “Sonnet 116,” read our expert analysis on its own page.

    — Zachary, Owl Eyes Editor
  2. "True minds" refers to fidelity as opposed to authenticity. In Shakespeare's time, the word "true" could mean constant or faithful. The speaker, who is frustrated by his lover's inconstancy, insists that "love is not love" if it extinguishes or alters in the face of change.

    — Sarah, Owl Eyes Staff
  3. This would be the star's height above the horizon and not its distance from the earth.

    — William Delaney
  4. By referring to Fortune as the “guilty goddess,” the poet suggests that his dire financial state forced him to enter into lower-class work—what he calls “public means.” Indeed, Fortune is not on the speaker’s side; he lives in modesty, instead of the aristocratic life he desires.

    — William Delaney