Fytte the First

Neilson Translation, 1917

1. After the siege and the assault had ceased at Troy, the city been destroyed and burned to brands and ashes, the warrior who wrought there the trains of treason was tried for his treachery, the truest on earth.1 This was Aeneas the noble; he and his high kindred afterwards conquered provinces, and became patrons of well nigh all the wealth in the West Isles. As soon as rich Romulus turns him to Rome, with great pride he at once builds that city, and names it with his own name, which it now has; Ticius turns to Tuscany and founds dwellings; Longobard raises homes in Lombardy; and, far over the French flood, Felix Brutus establishes Britain joyfully on many broad banks, where war and waste and wonders by turns have since dwelt, and many a swift interchange of bliss and woe.

2. And when this Britain was founded by this great hero, bold men loving strife bred therein, and many a time they wrought destruction. More strange things have happened in this land since these days than in any other that I know, but of all the British kings that built here, Arthur was ever the most courteous, as I have heard tell. Therefore, I mean to tell of an adventure in the world, which some count strange and extraordinary even among the wonders of Arthur. If ye will listen to this lay but a little while, I will tell it forthright as I heard it told in town, as it is set down in story that cannot be changed, long written in the land in true words.

3. This King lay royally at Camelot at Christmas tide with many fine lords, the best of men, all the rich brethren of the Round Table, with right rich revel and careless mirth. There full many heroes tourneyed betimes, jousted full gaily; then returned these gentle knights to the court to make carols.2 For there the feast was held full fifteen days alike with all the meat and the mirth that men could devise. Such a merry tumult, glorious to hear; joyful din by day, dancing at night. All was high joy in halls and chambers with lords and ladies as pleased them best. With all the weal in the world they dwelt there together, the most famous knights save only Christ, the loveliest ladies that ever had life, and he, the comeliest of kings, who holds the court. For all this fair company were in their prime in the hall, the happiest troop under heaven with the proudest of kings. Truly it would be hard to name anywhere so brave a band.

4. When New Year was fresh and but newly come, the court was served double on the dais. As soon as the king with his knights was come into the hall, the chanting in the chapel came to an end; loud was the cry there of clerks and others. Noel was celebrated anew, shouted full often; and afterwards the great ones ran about to take handsel;3 called aloud for New Year’s gifts; ladies laughed full loud, though they had lost; and he that won was not wroth, that may ye well trow. All this mirth they made till the meat time. When they had washed, worthily they went to their seats, the best man ever above, as it best behoved. Queen Guinevere full beauteous was set in the midst, placed on the rich dais adorned all about. Fine silk at the sides, a canopy over her of precious cloth of Toulouse and tapestries of Tars,4 that were embroidered and set with the best gems that money could buy. Truly no man could say that he ever beheld a comelier lady than she, with her dancing gray eyes.

5. But Arthur would not eat till all were served. He was so merry in his mirth, and somewhat childlike in his manner; his life pleased him well; he loved little either to lie long or to sit long, so busied him his young blood and his wild brain. And another custom moved him also, that he through chivalry had taken up; he would never eat upon such a dear day before he was told an uncouth tale of some adventurous thing, of some great marvel that he could believe, of ancient heroes, of arms, or of other adventures; or unless some person demanded of him a sure knight to join with him in jousting, to incur peril, to risk life against life, trusting each in the other, leaving the victory to fortune. This was the king’s custom whenever he held court at each goodly feast among his free company in the hall. And so with undaunted face he strides stoutly to his seat on that New Year, making great mirth with everybody.

6. Thus the great king stands waiting before the high table, talking of trifles full courteously. The good Gawain was placed there beside Guinevere, and Agravain of the Hard Hand sat on the other side, both of them the king’s sister’s sons and full sure knights. Bishop Baldwin at the top begins the table, and Ywain, Urien’s son, ate by himself. These were placed on the dais and honorably served, and after them many a good man at the side tables. Then the first course came in with blare of trumpets, which were hung with many a bright banner. A new noise of kettle-drums with the noble pipes, wild and stirring melodies wakened the echoes; that many a heart heaved full high at their tones. Dainties of precious meats followed, foison of fresh viands, and on so many dishes that it was difficult to find place before the people to set on the cloth the silver that held the several courses. Each man as he himself preferred partook without hesitation. Every two5 had twelve dishes between them, good beer and bright wine both.

7. Now will I tell you no more of their service, for everybody must well understand that there was no lack of opportunity for the people to take their food.6 Another noise full new suddenly drew nigh, for scarcely had the music ceased a moment, and the first course been properly served in the court, than there burst in at the hall door an awesome being, in height one of the tallest men in the world; from the neck to the waist so square and so thick was he, and his loins and his limbs so long and so great, that half giant I believed him to have been, or, at any rate, the largest of men, and withal the handsomest in spite of his bulk, that ever rode; for though his back and breast were so vast, yet his belly and waist were properly slim; and all his form according, full fairly shaped. At the hue of his noble face men wondered; he carried himself in hostile fashion and was entirely green.

8. All green was this man and his clothing; a straight coat sat tight to his sides; a fair mantle above, adorned within; the lining showed, with costly trimming of shining white fur; and such his hood also, that was caught back from his locks and lay on his shoulders, the hem well stretched;7 hose of the same green, that clung to his calf; and clean spurs under, of bright gold upon silk bands richly barred, and shoes8 on his shanks as the hero rides. And all his vesture verily was clean verdure, both the bars of his belt, and the other beauteous stones that were set in fine array about himself and his saddle, worked on silk. It would be too difficult to tell the half of the trifles that were embroidered there, with birds and flies, with gay gauds of green,—the good over in the middle; the pendants of the poitrel, the proud crupper, the bits,—and all the metal was enamelled; the stirrups that he stood on were coloured the same, and his saddle bow likewise, and his fine reins9 that glimmered and glinted all of green stones. The horse that he rode on was of the same colour too, a green horse, great and thick, a steed full stiff to guide, in gay embroidered bridle, and one right dear to his master.

9. This hero was splendidly dressed in green; and the hair of his head matched that of his horse;10 fair flowing locks enfolded his shoulders; a beard as big as a bush hung over his breast; and it, together with his splendid hair that reached from his head, was trimmed evenly all round above his elbows, so that half his arms were caught thereunder in the manner of a king’s hood,11 that covers his neck. The mane of that great horse was much like it, very curly and combed, with knots full many folded in with gold wire about the fair green,—always one knot of the hair, another of gold. The tail and the forelock were twined in the same way, and both bound with a band of bright green, set with full precious stones the whole length of the dock, and then tied up with a thong in a tight knot; where rang many bells full bright of burnished gold. Such a steed in the world, such a hero as rides him, was never beheld in that hall before that time. His glances were like bright lightning, so said all that saw him. It seemed as if no man could endure under his blows.

10. He had neither helm nor hauberk, nor gorget, armour nor breastplate, nor shaft nor shield to guard or to smite; but in his one hand he had a holly twig, that is greenest when groves are bare, and an axe in his other, a huge and prodigious one, a weapon merciless almost beyond description; the head had the vast length of an ellyard, the blade all of green steel and of beaten gold; the bit12 brightly burnished, with a broad edge, as well shaped for cutting as sharp razors. The stern warrior gripped it by13 the steel of its stout staff, which was wound with iron to the end of the wood and all engraven with green in beauteous work. A lace was lapped about it, that was fastened at the head, and tied up often along the helve, with many precious tassels attached on rich embroidered buttons of the bright green. This hero turns him in and enters the hall, riding straight to the high dais, fearless of mischief. He greeted never a one, but looked loftily about, and the first word that he uttered was: “Where is the governor of this company? Gladly I would see that hero and speak with him.”

He cast his eye on the knights and rode fiercely up and down, stopped and gan ponder who was there the most renowned.

11. All gazed fixedly on the man, for everybody marvelled what it might mean, that a knight and a horse could have such a colour: as green grown as the grass, and greener, it seemed; shining brighter than green enamel on gold. All were amazed who stood there, and stalked nearer to him, with all the wonder in the world what he would do; for many marvels had they seen, but such never before. Therefore for phantom and faery the folk there deemed it; and for that reason many a noble warrior was slow to answer, and all were astonished at his voice and sat stone still in a deep silence through the rich hall. Their voices14 sank as though they had suddenly fallen asleep. I deem, however, that it was not all for fear, but somewhat for courtesy. But now let him to whom all defer undertake the wight.

12. Then Arthur before the high dais beheld that adventure, and saluted the stranger properly, for never was he afraid, and said, “Sir, welcome indeed to this place. I am called Arthur, the head of this hostel. Light courteously down and tarry, I pray thee; and whatso thy will is we shall wit after.”

“Nay, so help me he that sits on high,” quoth the hero. “To dwell any time in this house was not my errand; but because the fame of this people is lifted up so high, and thy town and thy men are held the best, the stoutest in steel gear on steeds to ride, the wightest and the worthiest of the world’s kind, and proved opponents in other proper sports; and here courtesy is known, as I have heard tell,—it is this that has enticed me hither certainly at this time. You may be sure by this branch that I bear here that I pass in peace and seek no quarrel; for if I had set out with a company in fighting fashion, I have a hauberk at home and a helm both, a shield and a sharp spear shining bright, and other weapons to wield, I ween well also; but since I wished no war, my weeds are softer. Now if thou be as bold as all men tell, thou wilt grant me graciously the game that I ask.”

Arthur knew how to answer, and said: “Sir courteous knight, if it is battle that thou cravest, thou shalt not fail of a fight here.”

13. “Nay, I demand no fight; in faith I tell thee there are but beardless children about on this bench. If I were hasped in arms on a high steed there is no man here to match me, their might is so weak. Therefore I crave in this court a Christmas game, for it is Yule and New Year, and here are many gallants. If there be a man in this house who holds himself so hardy, is so bold in his blood, so rash in his head, that he dares stiffly strike one stroke for another, I shall give him as my gift this rich gisarm, this axe, that is heavy enough, to handle as he likes; and I shall abide the first blow as bare as I sit. If any warrior be wight enough to try what I propose, let him leap lightly to me and take this weapon—I quit-claim it forever, let him keep it as his own—and I shall stand him a stroke firmly on this floor. At another time, by our Lady, thou wilt grant me the boon of dealing him another blow; I will give him respite of a twelvemonth and a day. Now hie, and let us see quickly if any herein dare say aught.”

14. If he had astonished them at first, stiller were then all the retainers in hall, the high and the low. The warrior on his steed settled himself in his saddle, and fiercely his red eyes he reeled about; bent his thick brows, shining green; and waved his beard, awaiting whoso would rise. When none would answer him he coughed aloud, stretched himself haughtily and began to speak; “What! Is this Arthur’s house,” said the hero then, “that is famous through so many realms? Where is now your pride and your conquests, your fierceness, and your wrath and your great words? Now is the revel and the renown of the Round Table overcome by the word of a single man; for all tremble for dread without a blow shown.”

With this he laughed so loud that the lord grieved; the blood shot for shame into his fair face. He waxed as wroth as the wind; and so did all that were there. The king so keen of mood then stood near that proud man.

15. “Sir,” said he, “by heaven thy asking is foolish; and as thou hast demanded folly, it behooves thee to find it. I know no man that is aghast of thy great words. Give me now this gisarm, for God’s sake, and I will grant thy boon that thou has bidden.”

Quickly he leaped to him and caught at his hand; and the other alights fiercely on foot. Now Arthur has his axe, and grips the helve; he whirls it sternly about as if he meant to strife with it. The bold stranger stood upright before him, higher than any in the house by a head and more; with stern cheer he stood there, stroked his beard, and with cool countenance drew down his coat, no more afraid or dismayed for Arthur’s great strokes than if some one had brought him a drink of wine upon the bench.

Gawain, that sat by the queen, turned to the king: “I beseech now with all courtesy that this affair might be mine.”

16. “Would ye, worthy lord,” quoth Gawain to the king, “bid me step from this bench and stand by you there,—that I without rudeness might leave this table and that my liege lady liked it not ill—I would come to your help before your rich court; for methinks it is obviously unseemly that such an asking is made so much of in your hall, even though ye yourself be willing to take it upon you, while so many bold ones sit about you on the bench; than whom, I ween, none under heaven are higher of spirit, nor more mighty on the field where strike is reared. I am the weakest, I know, and feeblest of wit; and to tell the truth there would be the least loss in my life. I am only to praise forasmuch as ye are my uncle; no other nobility than your blood know I in my body. And since this adventure is so foolish, it belongs not to you; I have asked it of you first; give it to me. Let this great court decide15 if I have not spoken well.”

The heroes took counsel together and they all gave the same advice,—to free the crowned king and give the game to Gawain.

17. Then the king commanded Gawain to rise from the table; and he right quickly stood up and made himself ready, kneeled down before the king and took the weapon; and Arthur lovingly left it to him, lifted up his hand and gave him God’s blessing, and gladly bade him be hardy both of heart and of hand. “Take care, cousin,” quoth the king, “that thou give him a cut; and if thou handle him properly, I readily believe that thou shalt endure the blow which he shall give after.”

Gawain goes to the man with gisarm in hand; and he boldly awaits him, shrinking never a whit. Then speaks to Sir Gawain the knight in the green; “Rehearse we our agreement before we go farther. First, I conjure thee, hero, how thou art called, that thou tell me it truly, so that I may believe it.”

“In good faith,” quoth the knight, “Gawain am I called, who give you this buffet, whatever befalls after; and at this time twelvemonth I am to take from thee another with whatever weapon thou wilt, and from no wight else alive.”

The other answers again, “Sir Gawain, so thrive I as I am heartily glad that thou shalt give this blow.”

18. “By Gog,” quoth the green knight, “Sir Gawain, it delights me that I am to get at thy fist what I have requested here; and thou hast readily and truly rehearsed the whole of the covenant that I asked of the king, save that thou shalt assure me, sir, by thy troth, that thou wilt seek me thyself wheresoever thou thinkest I may be found upon the earth, and fetch for thyself such wages as thou dealest me today before this rich company.”

“Where should I seek thee?” quoth Gawain. “Where is thy place? I know never where thou livest, by him that wrought me; nor do I know thee, knight, thy court, nor thy name. But tell me truly the way and how thou art called, and I will use all my wit to win my way thither,—and that I swear thee, for a sooth, and by my sure troth.”

“New Year will suffice for that; no more is needed now,” quoth the man in green to Gawain the courteous. “To tell the truth, after I have received thy tap, and thou hast smitten me well, I shall promptly inform thee of my house and my home and mine own name. Then thou mayest inquire about my journey and hold promise; and if I speak no speech, then thou speedest the better, for thou mayest linger at ease in thy land and seek no further. Take now thy grim tool to thee and let us see how thou knockest.”

“Gladly, sir, for sooth,” quoth Gawain as he strokes his axe.

19. The green knight on the ground prepared himself properly. With the head a little bowed he disclosed the flesh. His long, lovely locks he laid over his crown, and let the naked nape of his neck show for the blow. Gawain gripped his axe and gathered it on high; the left foot he set before on the ground, and let the axe light smartly down on the naked flesh,16 so that the sharp edge severed the giant’s bones, and shrank through the clear flesh17 and sheared it in twain, till the edge of the brown steel bit into the ground. The fair head fell from the neck to the earth, and many pushed it with their feet where it rolled forth. The blood burst from the body and glistened on the green. Yet never faltered nor fell the hero for all that; but stoutly he started up with firm steps, and fiercely he rushed forth where the heroes stood, caught his lovely head, and lifted it up straightaway. Then he turned to his steed, seized the bridle, stepped into the steel bow and strode aloft, holding the head in his hand by the hair; and as soberly the man sat in his saddle as if no mishap had ailed him, though he was headless on the spot. He turned his trunk about—that ugly body that bled. Many a one of them thought that he had lost his reason.

20. For he held the head straight up in his hand; turned the face toward the highest on the dais; and it lifted up the eyelids and looked straight out, and spoke thus much with his mouth, as ye may now hear: “Look Gawain, that thou be ready to go as thou has promised, and seek loyally, hero, till thou find me; as thou has promised in this hall in the hearing of these knights. To the green chapel go thou, I charge thee, to receive such a blow as thou has dealt. Thou deservest to be promptly paid on New Year’s morn.18 As the knight of the green chapel many men know me; therefore, if thou strivest to find me, thou shalt never fail. And so come, or it behooves thee to be called recreant.”

With a wild rush he turned the reins, and flew out at the hall door—his head in his hand—so that the fire of the flint flew from the foal’s hoofs. To what country he vanished knew none there; no more than they wist whence he was come. The king and Gawain roared with laughter at that green man; but this adventure was reckoned a marvel among men.

21. Though the courteous king wondered in his heart, he let no semblance be seen, but said aloud to the comely queen with courteous speech, “Dear dame, today be never dismayed; well becoming are such tricks at Christmas, in lack of entertainment, to laugh and sing about among these pleasant carols of knights and ladies. Nevertheless I may well go to my meat, for I can not deny that I have seen a marvel.” He glanced at Sir Gawain and said cheerfully, “Now, sir, hang up thine axe; it has hewn enough.” And it was put above the dais to hang on the tapestry where all men might marvel at it, and by it avouch the wonderful happening. Then they turned to the board, these heroes together—the king and the good knight—and the keen men served them double of all dainties, as was most fitting; with all manner of meat, and minstrelsy both. They spent that day in joy until it came to an end. Now take care, Sir Gawain, that thou blench not for the pain to prosecute this adventure that thou has taken on hand.


Translator’s Footnotes

1. Construction clear, though sense odd. Antenor and Aeneas were the traitors who in the mediaeval story of Troy handed over the city to the Greeks. Antenor remained unpopular, but Aeneas suffered no loss of reputation. See Lydgate’s Troy Book in the publications of the Early English Text Soc., Bk. IV, l. 4539f.

2. Dancing and singing in a ring.

3. New Year’s gifts of good omen.

4. Oriental figured stuff.

5. It was extremely sumptuous having only two at a mess; i.e. only two sharing the same cup and platter.

6. It seems to make somewhat better sense if we transpose, as has here been done, lines 132 and 133; otherwise this passage means that a second course came in heralded by new music.

7. Translation doubtful.

8. Word doubtful.

9. Our “reins” is a mere stop-gap. The MS. has the puzzling sturtes.

10. Translating hors swete of the MS. as “horse’s suite.”

11. The word capados here translated as “hood” is rare. It might conceivably mean “camail,” a protection of mail for the neck and part of the head, that hung down from or under the helm.

12. ”Bit” is still used for the cutting edge of an axe.

13. Not in the MS.

14. Possibly “faces” or “looks.”

15. This word is supplied. Perhaps “speak” would be more conservative.

16. Some such word has to be supplied after naked.

17. ”Grease” in the original.

18. Morris’s punctuation of this passage has been altered.

Footnotes

  1. Notice how the perspective changes in this clause. The narrator speaks directly to Sir Gawain by saying "Now [you] take care"; this shift in address pulls readers directly into the same position as Gawain, which creates a contrast with the jovial Christmas scene. Gawain and the readers know that there are many dangerous trials to come.

    — Wesley, Owl Eyes Editor
  2. “Blench” means to draw back or turn aside for lack of courage.

    — Wesley, Owl Eyes Editor
  3. In context, “minstrelsy” refers to a body of songs performed by a minstrel, a medieval musician who sang verses while accompanied by the playing of a harp.

    — Wesley, Owl Eyes Editor
  4. The “board” is the dining table covered with food at the feast.

    — Wesley, Owl Eyes Editor
  5. To “avouch” means to affirm, assert, or state.

    — Wesley, Owl Eyes Editor
  6. “Semblance” refers to the outward appearance of something, especially if the reality of it is different.

    — Wesley, Owl Eyes Editor
  7. As “wist” is used here, it means knew or had some knowledge of.

    — Wesley, Owl Eyes Editor
  8. Arthurian legends, which originated with the Celtic people, are filled with magic and strange supernatural events; through the centuries, writers created more stories with these elements. The Green Knight’s riding away carrying his own head illustrates this tradition in the tales.

    — Wesley, Owl Eyes Editor
  9. “Recreant” means cowardly.

    — Wesley, Owl Eyes Editor
  10. The phrase “light smartly” means to land in a quick manner.

    — Wesley, Owl Eyes Editor
  11. His “crown” is the top of his head.

    — Wesley, Owl Eyes Editor
  12. “Troth” refer to a pledge or vow; "by thy troth" means "by your word" or "by your promise."

    — Wesley, Owl Eyes Editor
  13. A covenant is an agreement or a pact between two parties.

    — Wesley, Owl Eyes Editor
  14. The expression “By Gog” in the original poem is written “bigog” and means “By God.” The Green Knight uses the expression here as a means of expressing his pleasure that Gawain has taken up his challenge.

    — Wesley, Owl Eyes Editor
  15. In this instance, “thrive” means to advance toward a goal.

    — Wesley, Owl Eyes Editor
  16. In context, “buffet” means a forceful blow.

    — Wesley, Owl Eyes Editor
  17. In context, “shrinking” means recoiling or backing away from something terrible or fearful. A “whit” is the smallest possible amount of something.

    — Wesley, Owl Eyes Editor
  18. Gawain is Arthur’s nephew. The word “cousin” is used here to mean a relative.

    — Wesley, Owl Eyes Editor
  19. Gawain demonstrates humility, one of the ideals of chivalry, by claiming he is weaker than the other knights in the room.

    — Wesley, Owl Eyes Editor
  20. The phrase refers to Queen Guinevere, the lady to whom Gawain owes his “liege” or allegiance and service. Guinevere sits on the dais with Arthur, Gawain, and others.

    — Wesley, Owl Eyes Editor
  21. “Beseech” means to beg; “courtesy” as it is used here means respect. Gawain is essentially asking, as politely as he can, that Arthur allow him to accept the Green Knight's challenge.

    — Wesley, Owl Eyes Editor
  22. “Countenance” refers to an expression on the face that indicates mood, emotion, or character.

    — Wesley, Owl Eyes Editor
  23. As “behooves” is used here, it means obligates.

    — Wesley, Owl Eyes Editor
  24. “Waxed” means grew in size or intensity. Arthur’s growing anger or “wroth” is described with a simile, saying it is as angry “as the wind.” An angry wind suggests a severe storm to come. Further, the alliteration of the repeated "W" sound draws emphasis to this passage—and Arthur's anger.

    — Wesley, Owl Eyes Editor
  25. Since no one has yet answered his challenge, the Green Knight insults the courage and the honor of King Arthur and his knights.

    — Wesley, Owl Eyes Editor
  26. “Aught” means anything. The Green Knight has issued his challenge and now waits to see if anyone will speak up and rise to it.

    — Wesley, Owl Eyes Editor
  27. “Hie” means to hurry or act at once.

    — Wesley, Owl Eyes Editor
  28. A “boon” is a benefit given in answer to a request.

    — Wesley, Owl Eyes Editor
  29. “By our Lady” is an allusion to the Virgin Mary, the mother of Jesus. Invoking her name suggests the seriousness of the Green Knight’s challenge.

    — Wesley, Owl Eyes Editor
  30. “Gisarm” is the type of axe the Green Knight carries, a scythe-shaped blade mounted on a long staff or handle.

    — Wesley, Owl Eyes Editor
  31. “Gallants” refers to Arthur and his knights, who are “gallant,” meaning brave and daring.

    — Wesley, Owl Eyes Editor
  32. “Cravest” means “to crave.” The word “crave” means to desire; as an archaic word, “crave” means to seek or call for.

    — Wesley, Owl Eyes Editor
  33. In context, “weeds” refers to the Green Knight’s clothing or garments.

    — Wesley, Owl Eyes Editor
  34. “Ween” is an archaic word that means to suppose.

    — Wesley, Owl Eyes Editor
  35. In Celtic mythology, holly serves as a symbol of goodwill, and the Green Knight refers to this branch to indicate that he comes to the court in peace.

    — Wesley, Owl Eyes Editor
  36. In context, “wightest” can be inferred to mean the strongest and most active or engaged. Note too the alliteration in “wightest,” “worthiest,” and “world’s,” with the repeated “W” sound. The Green Knight’s use of alliteration draws attention to his words, emphasizing his presence in Arthur’s court.

    — Wesley, Owl Eyes Editor
  37. As an archaic word, a “hostel” is an inn that provides accommodations for travelers. Arthur uses the word to indicate that the Green Knight is welcome to stay and that his needs or desires will be met.

    — Wesley, Owl Eyes Editor
  38. In context, “wight” means a phantom or other supernatural being.

    — Wesley, Owl Eyes Editor
  39. Those assembled in Arthur’s court think that the Green Knight is some supernatural being, as if he were an otherworldly creature such as a phantom or a faery.

    — Wesley, Owl Eyes Editor
  40. “Renowned” means famous, distinguished, or acclaimed. The Green Knight is looking for someone worthy.

    — Wesley, Owl Eyes Editor
  41. The phrase “gan ponder” can be read as “began to ponder”; “ponder” means to think carefully about something before reaching a decision.

    — Wesley, Owl Eyes Editor
  42. “Helve” refers to the handle of a weapon, in this case the handle of the Green Knight’s axe.

    — Wesley, Owl Eyes Editor
  43. “Engraven” means engraved, cut or carved on a hard surface.

    — Wesley, Owl Eyes Editor
  44. A bit is the cutting edge of an axe head.

    — Wesley, Owl Eyes Editor
  45. An ellyard is about 3.75 feet in length.

    — Wesley, Owl Eyes Editor
  46. “Prodigious” means enormous or remarkably large.

    — Wesley, Owl Eyes Editor
  47. Holly, an evergreen plant with red berries, has had symbolic meaning throughout the ages. In Celtic mythology, the holly was magical and ruled the winter months; Celtic chieftains often wore crowns of holly to bring good luck. During the Middle Ages, holly became a symbol of Christmas.

    — Wesley, Owl Eyes Editor
  48. “Helm” refers to a helmet. A “hauberk” is a piece of armor covering the neck and shoulders; a “gorget” is a piece of armor covering the throat. In context, “armour,” a variant spelling of “armor,” is a full-length coat of armor that covers the body, whereas while a breastplate specifically covers the chest. “Shaft” refers to the lance a knight would carry into battle, and to “smite” means to strike with a strong blow. Without a lance or a shield, the Green Knight is not prepared to strike his enemies or protect himself from their blows. The passage establishes that the Green Knight has not come to Arthur’s court to fight.

    — Wesley, Owl Eyes Editor
  49. A simile is a figure of speech that describes one thing by comparing it to something else using “like” or “as” in the comparison. The Green Knight’s “glances,” the way he looks at those assembled in the hall, are described by comparing them to “bright lightning.” The simile suggests that his glances emanate power and intensity.

    — Wesley, Owl Eyes Editor
  50. In this passage and the previous one, visual imagery is employed in describing the Green Knight and his horse. The images in the passages emphasize the beauty and richness of the knight’s elaborate attire and his horse’s equally elaborate decorations.

    — Wesley, Owl Eyes Editor
  51. A thong is a narrow strip of leather or some other material used as a fastening device.

    — Wesley, Owl Eyes Editor
  52. The horse’s “dock” is the bony, fleshy part of his tail, excluding the hair.

    — Wesley, Owl Eyes Editor
  53. The horse’s being “full stiff to guide” means that the horse is strong and high spirited, and controlling the horse requires a firm hand.

    — Wesley, Owl Eyes Editor
  54. A “crupper” is a strap buckled to the back of a saddle and looped under the horse's tail to prevent the saddle from slipping forward.

    — Wesley, Owl Eyes Editor
  55. A “poitrel” is a medieval often richly decorated piece of armor used to protect the breast of a horse. The poitrel on the Green Knight’s horse is decorated with “pendants,” pieces of jewelry that hang from a chain.

    — Wesley, Owl Eyes Editor
  56. “Gauds” are things that are showy and merely ornamental. The alliteration of the "G" sound is also present in this clause to emphasize how extravagantly green the knight is.

    — Wesley, Owl Eyes Editor
  57. “Trifles” refers to many small, showy decorations.

    — Wesley, Owl Eyes Editor
  58. “Vesture” is clothing. “Verdure” is the fresh green color of vegetation; “clean verdure” implies that his clothing was only green, absent any other color. Note too the alliteration of the repeated "V" sound, which emphasizes this phrase.

    — Wesley, Owl Eyes Editor
  59. The hood’s hem being “well stretched” as it “lay on his shoulders” suggests that his shoulders are quite broad.

    — Wesley, Owl Eyes Editor
  60. In context, “fair” is an archaic word meaning beautiful or attractive. A mantle is a cloak or cape, often with an attached hood. The green knight is wearing a good-looking outfit, suggesting a higher level of status.

    — Wesley, Owl Eyes Editor
  61. The stranger’s great size and “hostile,” or confrontational, bearing make him a threatening figure—to say nothing of his being entirely green.

    — Wesley, Owl Eyes Editor
  62. Being “served double,” every two diners shared twelve serving dishes of food, emphasizing the abundance and variety of food at Arthur’s feast.

    — Wesley, Owl Eyes Editor
  63. “Foison” is an archaic word that means an abundance; “viands” are articles of food, usually the best food.

    — Wesley, Owl Eyes Editor
  64. Bishop Baldwin, Arthur’s priest, appears in several tales; in some accounts, he is a bishop in the church and a knight of the Round Table. In various tales, the knight Ywain is the son of King Urien of Gorre, a 6th-century Celtic king, and Morgan le Fay, a sorceress.

    — Wesley, Owl Eyes Editor
  65. Guinevere is the queen; Gawain and Agravain, Arthur’s nephews, are sons of Arthur’s half-sister, Morgause, and knights of Arthur's court.

    — Wesley, Owl Eyes Editor
  66. In context, “undaunted” means determined in pursuing a purpose or objective.

    — Wesley, Owl Eyes Editor
  67. In context, “uncouth” means strange or unusual.

    — Wesley, Owl Eyes Editor
  68. “Chivalry” refers to the customs and code of conduct observed by knights in the Middle Ages. Developed during the 1100s and 1200s, chivalry includes the ideals of valor, generosity, courtesy, loyalty, humility, faith in Christianity, and skill in battle.

    — Wesley, Owl Eyes Editor
  69. A tapestry is a work of art, a thick fabric woven or embroidered to create pictures or designs. The tapestries of Tars refers to particular tapestries from the Central and Eastern Asia noted for their beauty.

    — Wesley, Owl Eyes Editor
  70. Toulouse was an ancient settlement in southern France once occupied by the Romans; by the 14th century, Toulouse was a prosperous city engaged in textile trade with England, exporting soft, finely woven fabrics that were quite expensive.

    — Wesley, Owl Eyes Editor
  71. “The best man” refers to Arthur, who sits “ever above,” meaning that he always sits on the dais, a raised platform. “Behoved” is a variant spelling of “behooved”; the phrase “as it best behoved” means that it was most fitting and appropriate for Arthur to sit on the dais above others in the hall.

    — Wesley, Owl Eyes Editor
  72. “Trow” is an archaic word meaning to think, believe, or understand.

    — Wesley, Owl Eyes Editor
  73. “Wroth” is an archaic word meaning angry or irate.

    — Wesley, Owl Eyes Editor
  74. “Handsel” is a New Year’s gift given for good luck.

    — Wesley, Owl Eyes Editor
  75. The “dais” is a somewhat elevated platform in the hall; seats on the dais are places of honor. Being “served double” means that two diners shared a platter and cup, rather than eating from communal dishes. Being “served double” suggests that there was a great deal of food at the feast.

    — Wesley, Owl Eyes Editor
  76. “Comeliest” means most attractive or most handsome; it also means most suitable, which would also be an appropriate description of Arthur as a king.

    — Wesley, Owl Eyes Editor
  77. The presence and influence of Christianity is evident throughout the text, as it is in other tales of King Arthur. Besides swearing allegiance to their king, knights also swore allegiance to Christ and vowed to defend the Christian church.

    — Wesley, Owl Eyes Editor
  78. In context, “weal” means wealth and well-being. It is derived from the Old English word “wela.”

    — Wesley, Owl Eyes Editor
  79. “Tumult” and “din” are synonyms meaning noisy confusion, commotion, or disorder. Their being “merry” and “joyful” further emphasizes the happy, celebratory mood in Arthur’s court.

    — Wesley, Owl Eyes Editor
  80. The phrase “to make carols” refers to singing Christmas carols or songs.

    — Wesley, Owl Eyes Editor
  81. Jousting tournaments or contests were popular entertainment in the Middle Ages. Mounted on horses and armed with blunted lances, two contestants would ride directly at each another; each would attempt to unseat his opponent by using his lance to push the other off his horse. In context, the word “betimes” means early in the day. Arthur’s knights jousting “full gaily” implies that they jousted in the spirit of fun and comradeship.

    — Wesley, Owl Eyes Editor
  82. The author alludes to the hundreds of years that stories of King Arthur have existed in Britain and asserts that they are true, including the story he will tell of Sir Gawain. By situating this story within the greater context of other tales of King Arthur, the author positions his within an established canon to add credibility and credence to the tale.

    — Wesley, Owl Eyes Editor
  83. A lay is a simple narrative poem or ballad.

    — Wesley, Owl Eyes Editor
  84. In context, “courteous” means more than polite and well mannered; it also means chivalrous, gallant, and gracious.

    — Wesley, Owl Eyes Editor
  85. The “French flood” refers to the English Channel, a narrow body of the Atlantic Ocean that lies between France and Great Britain. In writing a 9th-century narrative of King Arthur’s life, a monk named Nennius created the story of Britain’s having been founded by a descendant of Aeneas named Felix Brutus. In the 12th -century, Geoffrey of Monmouth included the story in his largely fictionalized history of British kings, in which he cast Arthur as a descendant of Aeneas.

    — Wesley, Owl Eyes Editor
  86. As Arthurian legends took shape, fictional links were forged between the descendants of Aeneas and Britain; the intent was to burnish the history of Britain by connecting it to the ancient world.

    — Wesley, Owl Eyes Editor
  87. In Greek and Roman mythology, Aeneas was a high-born Trojan warrior who survived the fall of Troy, safely exiting the city with his family and possessions. Throughout the ages, writers interpreted the character of Aeneas from different perspectives. In the 13th century, Guido delle Colonne, an Italian judge and author, wrote a narrative of the Trojan war suggesting that Aeneas betrayed Troy to the Greeks in exchange for safe passage from the city. Thise idea is reflected in the beginning of “Sir Gawain and the Green Knight.”

    — Wesley, Owl Eyes Editor
  88. The alliteration or repetition of the “T” sound at the beginning of “trains,” “treason,” “tried,” “treachery,” and “truest” creates rhythm in the line, in keeping with the use of alliteration in the original text, which was written in verse. Alliteration is employed frequently throughout the text.

    — Wesley, Owl Eyes Editor