Chapter I

1801.—I HAVE JUST returned from a visit to my landlord—the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist's heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

“Mr. Heathcliff?” I said

A nod was the answer.

“Mr. Lockwood, your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts—”

“Thrushcross Grange is my own, sir,” he interrupted, wincing. “I should not allow any one to inconvenience me, if I could hinder it—walk in!”

The “walk in” was uttered with closed teeth, and expressed the sentiment, “go to the deuce:” even the gate over which he leant manifested no sympathising movement to the words; and I think that circumstances determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.

When he saw my horse's breast fairly pushing the barrier, he put out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court—”Joseph, take Mr. Lockwood's horse; and bring up some wine.”

“Here we have the whole establishment of domestics, I suppose,” was the reflection suggested by this compound order. “No wonder the grass grows up between the flags, and cattle are the only hedge-cutters.”

Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. “The Lord help us!” he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff's dwelling. “Wuthering” being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date “1500,” and the name “Hareton Earnshaw.” I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.

One step brought us into the family sitting-room, without any introductory lobby or passage: they call it here “the house” preëminently. It includes kitchen and parlour generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been underdrawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horsepistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his arm-chair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gipsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose. Possibly, some people might suspect him of a degree of under-bred pride; I have a sympathetic chord within that tells me it is nothing of the sort: I know, by instinct, his reserve springs from an aversion to showy displays of feeling—of mutual kindliness. He'll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again. No, I'm running on too fast: I bestow my own attributes over-liberally on him. Mr. Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way when he meets a would-be acquaintance, to those which actuate me. Let me hope my constitution is almost peculiar: my dear mother used to say I should never have a comfortable home; and only last summer I proved myself perfectly unworthy of one.

While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I “never told my love” vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return—the sweetest of all imaginable looks. And what did I do? I confess it with shame—shrunk icily into myself, like a snail; at every glance retired colder and farther; till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp. By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved, I alone can appreciate.

I took a seat at the end of the hearthstone opposite that towards which my landlord advanced, and filled up an interval of silence by attempting to caress the canine mother, who had left her nursery, and was sneaking wolfishly to the back of my legs, her lip curled up, and her white teeth watering for a snatch. My caress provoked a long, guttural gnarl.

“You'd better let the dog alone,” growled Mr. Heathcliff in unison, checking fiercer demonstrations with a punch of his foot. “She's not accustomed to be spoiled—not kept for a pet.” Then, striding to a side door, he shouted again, “Joseph!”

Joseph mumbled indistinctly in the depths of the cellar, but gave no intimation of ascending; so his master dived down to him, leaving me vis-a-vis the ruffianly bitch and a pair of grim shaggy sheep-dogs, who shared with her a jealous guardianship over all my movements. Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury and leapt on my knees. I flung her back, and hastened to interpose the table between us. This proceeding aroused the whole hive: half-a-dozen four-footed fiends, of various sizes and ages, issued from hidden dens to the common centre. I felt my heels and coat-laps peculiar subjects of assault; and parrying off the larger combatants as effectually as I could with the poker, I was constrained to demand, aloud, assistance from some of the household in re-establishing peace.

Mr. Heathcliff and his man climbed the cellar steps with vexatious phlegm: I don't think they moved one second faster than usual, though the hearth was an absolute tempest of worrying and yelping. Happily, an inhabitant of the kitchen made more despatch: a lusty dame, with tucked-up gown, bare arms, and fire-flushed cheeks, rushed into the midst of us flourishing a frying-pan: and used that weapon, and her tongue, to such purpose, that the storm subsided magically, and she only remained, heaving like a sea after a high wind, when her master entered on the scene.

“What the devil is the matter?” he asked, eyeing me in a manner that I could ill endure after this inhospitable treatment.

“What the devil, indeed!” I muttered. “The herd of possessed swine could have had no worse spirits in them than those animals of yours, sir. You might as well leave a stranger with a brood of tigers!”

“They won't meddle with persons who touch nothing,” he remarked, putting the bottle before me, and restoring the displaced table. “The dogs do right to be vigilant. Take a glass of wine?”

“No thank you.”

“Not bitten, are you?”

“If I had been, I would have set my signet on the biter.” Heathcliff's countenance relaxed into a grin.

“Come, come,” he said, “you are flurried, Mr. Lockwood. Here, take a little wine. Guests are so exceedingly rare in this house that I and my dogs, I am willing to own, hardly know how to receive them. Your health, sir?”

I bowed and returned the pledge; beginning to perceive that it would be foolish to sit sulking for the misbehaviour of a pack of curs; besides, I felt loth to yield the fellow further amusement at my expense; since his humour took that turn. He—probably swayed by prudential consideration of the folly of offending a good tenant—relaxed a little in the laconic style of chipping off his pronouns and auxiliary verbs, and introduced what he supposed would be a subject of interest to me—a discourse on the advantages and disadvantages of my present place of retirement. I found him very intelligent on the topics we touched; and before I went home, I was encouraged so far as to volunteer another visit to-morrow. He evidently wished no repetition of my intrusion. I shall go, notwithstanding. It is astonishing how sociable I feel myself compared with him.

Footnotes

  1. Given his harsh nature, this is as close to an apology as Heathcliff can make.

    — Stephen Holliday
  2. Heathcliff is relaxing his speech. Instead of saying "him," for example, he would say, "'im."  He is also dropping the g at the end of verbs—"helpin'" instead of "helping."

     

    — Stephen Holliday
  3. Bronte is gradually creating the picture of an outwardly unsympathetic, unemotional man.

     

    — Stephen Holliday
  4. Lockwood sees himself in Heathcliff—his emotions under the surface are not expressed openly. He recognizes that, if Healthcliff is like him, the reputation for harshness is not justified.

     

    — Stephen Holliday
  5. "Keeping his hand out of the way" means he did not shake hands, an expected sign of civility.

     

    — Stephen Holliday
  6. This phrase indicates that Heathcliff may be, at the least, uncultured or, at the most, illegitimate.

     

    — Stephen Holliday
  7. This is meant to indicate the rustic nature of Heathcliff's home—it is suited for the everyday country life of a single man and has no touch of refinement.

     

    — Stephen Holliday
  8. Horsepistols are pistols carried on a rider's saddle in case of trouble. They are large caliber and very inaccurate but good enough to scare robbers and road bandits.

     

    — Stephen Holliday
  9. A common feature of upper class and upper middle class houses was a display of pewter and silver serving ware, a sign of the owner's wealth.

     

    — Stephen Holliday
  10. It is common in this part of northern England to see plaques on important houses memorializing the date of construction and the builder(s).  In many cases, substantial remodelings or reconstructions are also recorded.

     

    — Stephen Holliday
  11. This imagery suggests that the trees are all leaning away from the wind and reaching for the sun's warmth.

    — Stephen Holliday
  12. Wuthering in the dialect of Yorkshire is a derivative of the Scots word for whithering, defined as the rushing and blustering of wind and the noise it makes.

    — Stephen Holliday
  13. The "compound order" refers to Heathcliff's order for the care of Lockwood's horse and the provision of wine.

     

    — Stephen Holliday
  14. Although the location of Thrushcross Grange has never been discovered with any certainty, a large manor house called Shibden Hall, located near the school where Emily Bronte worked, may have served as Bronte's model.

     

    — Stephen Holliday
  15. Mr. Lockwood, whose given name is never disclosed in the novel, seems not to be the misanthropist that he claims to be.  A true misanthropist would not have a "heart warmed" towards anyone.

     

    — Stephen Holliday
  16. The phrase “go to the deuce" is an obscene way for someone to tell another to “go to the devil."

    — Owl Eyes Reader
  17. The word "grotesque" refers to a style of art that is characterized by the mixing of monstrous animal figures with human characteristics. This style distorts the natural into a caricature of morbidity and ugliness.

    — Owl Eyes Reader
  18. The word "griffins" refers to mythical creatures with the body and legs of a lion and the head, wings, and talons of an eagle.

    — Owl Eyes Reader
  19. The word "gaiters" refers to the leather leg coverings that reach either above the ankle or to the middle of the calf.

    — Owl Eyes Reader
  20. By likening Heathcliff to a "gipsy," Lockwood implies that Heathcliff is not a normal Englishman. Gypsies were considered outcasts—untrustworthy and violent.

    — Owl Eyes Reader
  21. The phrase "herd of possessed swine" refers to The Odyssey, in which Circe transforms Odysseus's men into a herd of pigs.

    — Owl Eyes Reader