Chapter II

THE VILLAGE HEADMAN

Do you know a Ukraine night? No, you do not know a night in the Ukraine. Gaze your full on it. The moon shines in the midst of the sky; the immeasurable vault of heaven seems to have expanded to infinity; the earth is bathed in silver light; the air is warm, voluptuous, and redolent of innumerable sweet scents. Divine night! Magical night! Motionless, but inspired with divine breath, the forests stand, casting enormous shadows and wrapped in complete darkness. Calmly and placidly sleep the lakes surrounded by dark green thickets. The virginal groves of the hawthorns and cherry-trees stretch their roots timidly into the cool water; only now and then their leaves rustle unwillingly when that freebooter, the night-wind, steals up to kiss them. The whole landscape is hushed in slumber; but there is a mysterious breath upon the heights. One falls into a weird and unearthly mood, and silvery apparitions rise from the depths. Divine night! Magical night! Suddenly the woods, lakes, and steppes become alive. The nightingales of the Ukraine are singing, and it seems as though the moon itself were listening to their song. The village sleeps as though under a magic spell; the cottages shine in the moonlight against the darkness of the woods behind them. The songs grow silent, and all is still. Only here and there is a glimmer of light in some small window. Some families, sitting up late, are finishing their supper at the thresholds of their houses.

“No, the ‘gallop’ is not danced like that! Now I see, it does not go properly! What did my godfather tell me? So then! Hop! tralala! Hop! tralala! Hop! Hop! Hop!” Thus a half-intoxicated, middle-aged Cossack talked to himself as he danced through the street. “By heaven, a ‘gallop’ is not danced like that! What is the use of lying! On with it then! Hop! tralala! Hop! tralala! Hop! Hop! Hop!”

“See that fool there! If he were only a young fellow! But to see a grown man dancing, and the children laughing at him,” exclaimed an old woman who was passing by, carrying a bundle of straw. “Go home! It is quite time to go to sleep!”

“I am going!” said the Cossack, standing still. “I am going. What do I care about the headman? He thinks because he is the eldest, and throws cold water on people, and carries his head high. As to being headman—I myself am a headman. Yes indeed—otherwise——” As he spoke, he stepped up to the door of the first cottage he came to, stood at the window, drumming with his fingers on the glass, and feeling for the door-handle. “Woman, open! Woman, open quickly I tell you! It is time for me to go to sleep!”

“Where are you going, Kalenik? That is the wrong house!” some young girls who were returning from the dance called to him as they passed. “Shall we show you yours?”

“Yes, please, ladies!”

“Ladies! Just listen to him!” one of them exclaimed. “How polite Kalenik is! We will show you the house—but no, first dance before us!”

“Dance before you? Oh, you are clever girls!” said Kalenik in a drawling voice, and laughing. He threatened them with his finger, and stumbled, not being able to stand steadily. “And will you let yourselves be kissed? I will kiss the lot.” With tottering steps he began to run after them.

The girls cried out and ran apart; but they soon plucked up courage and went on the other side of the road, when they saw that Kalenik was not firm on his legs.

“There is your house!” they called to him, pointing to one which was larger than the rest, and which belonged to the village headman.

Kalenik turned towards it, and began again to revile the headman.

But who is this headman to whose disadvantage so much has been said? Oh, he is a very important person in the village. Before Kalenik reaches his house, we shall doubtless find enough time to say something about him. Everyone in the village takes off his cap at the sight of him, and even the smallest girls wish him good morning. Which of the young Cossacks would not like to be a headman? The headman has an entry everywhere, and every stalwart rustic stands respectfully, cap in hand, so long as the headman feels round his snuff-box with his thick, coarse finger. In parish-meetings and other assemblies, although his power may be limited by the votes of the majority, the headman still maintains the upper hand, and sends whom he chooses to make roads or dig ditches. In outward manners he is morose and severe, and not fond of talking. Long ago, when the Empress Catherine of blessed memory journeyed to the Crimea, he was chosen as one of her escort for two whole days, and had the high honour of sitting with the imperial coachman on the box.

Since then the headman has formed the habit of shaking his head solemnly and thoughtfully, of stroking his long, drooping moustache, and of darting hawk-like glances from his eyes. Whatever the topic of conversation may be, he manages to refer to his having accompanied the Empress, and sat on the box of the imperial coach. He often pretends to be hard of hearing, especially when he hears something that he does not like. He has an aversion for dandies, and himself wears under a black caftan of cloth, made at home, a simple, embroidered, woollen waist-band. No one has seen him wear any other dress except, of course, on the occasion of the Czarina's journey to the Crimea, when he wore a blue Cossack's uniform. Hardly anyone in the village remembers that time, and he keeps the uniform packed up in a chest.

The headman is a widower, but his sister-in-law lives with him. She cooks his dinner and supper, keeps the house and furniture clean, weaves linen, and acts as housekeeper generally. The village gossips say that she is not a relation of his; but we must remark that the headman has many enemies who spread all kinds of slanders about him. We have now said what we considered to be necessary about the headman, and the drunken Kalenik is not yet half-way to his house. He continued to abuse the headman in terms which might be expected from one in his condition.