A NEW CHAPTER in a novel is something like a new scene in a play: and when I draw up the curtain this time, reader, you must fancy you see a room in the “George Inn” at Millcote, with such large-figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mantel-piece, such prints; including a portrait of George the Third, and another of the Prince of Wales, and a representation of the death of Wolfe. All this is visible to you by the light of an oil-lamp hanging from the ceiling, and by that of an excellent fire, near which I sit in my cloak and bonnet; my muff and umbrella lie on the table, and I am warming away the numbness and chill contracted by sixteen hours’ exposure to the rawness of an October day: I left Lowton at four o'clock a.m., and the Millcote town clock is now just striking eight.
Reader, though I look comfortably accommodated, I am not very tranquil in my mind. I thought when the coach stopped here there would be some one to meet me; I looked anxiously round as I descended the wooden steps the “boots” placed for my convenience, expecting to hear my name pronounced, and to see some description of carriage waiting to convey me to Thornfield. Nothing of the sort was visible; and when I asked a waiter if any one had been to inquire after a Miss Eyre, I was answered in the negative: so I had no resource but to request to be shown into a private room: and here I am waiting, while all sorts of doubts and fears are troubling my thoughts.
It is a very strange sensation to inexperienced youth to feel itself quite alone in the world, cut adrift from every connection, uncertain whether the port to which it is bound can be reached, and prevented by many impediments from returning to that it has quitted. The charm of adventure sweetens that sensation, the glow of pride warms it; but then the throb of fear disturbs it; and fear with me became predominant, when half an hour elapsed, and still I was alone. I bethought myself to ring the bell.
“Is there a place in this neighborhood called Thornfield?” I asked of the waiter who answered the summons.
“Thornfield? I don't no ma'am, I'll inquire at the bar.” He vanished, but re-appeared instantly: “Is your name Eyre, Miss?”
“Person here waiting for you.”
I jumped up, took my muff and umbrella, and hastened into the inn-passage: a man was standing by the open door, and in the lamp-lit street I dimly saw a one-horse conveyance.
“This will be your luggage, I suppose?” said the man rather abruptly when he saw me, pointing to my trunk in the passage.
“Yes.” He hoisted it on to the vehicle, which was a sort of car, and then I got in: before he shut me up, I asked him how far it was to Thornfield.
“A matter of six miles.”
“How long shall we be before we get there?”
“Happen an hour and a half.”
He fastened the cart door, climbed to his own seat outside, and we set off. Our progress was leisurely, and gave me ample time to reflect: I was content to be at length so near the end of my journey; and as I leaned back in the comfortable though not elegant conveyance, I meditated much at my ease.
“I suppose,” thought I, “judging from the plainness of the servant and carriage, Mrs. Fairfax is not a very dashing person: so much the better; I never lived among fine people but once, and I was very miserable with them. I wonder if she lives alone except this little girl; if so, and if she is in any degree amiable, I shall surely be able to get on with her! I will do my best: it is a pity that doing one's best does not always answer. At Lowood, indeed, I took that resolution, kept it, and succeed in pleasing; but with Mrs. Reed, I remember my best was always spurned with scorn. I pray God Mrs. Fairfax may not turn out a second Mrs. Reed; but if she does, I am not bound to stay with her: let the worst come to the worst, I can advertise again. How far are we on our road now, I wonder?”
I let down the window and looked out: Millcote was behind us; judging by the number of its lights, it seemed a place of considerable magnitude, much larger than Lowton. We were now, as far as I could see, on a sort of common; but there were houses scattered all over the district; I felt we were in a different region to Lowood, more populous, less picturesque, more stirring, less romantic.
The roads were heavy, the night misty; my conductor let his horse walk all the way, and the hour and a half extended, I verily believe, to two hours; at last he turned in his seat and said, “You're noan so far fro’ Thornfield now.”
Again I looked out: we were passing a church: I saw its low broad tower against the sky, and its bell was tolling a quarter; I saw a narrow galaxy of lights, too, on a hillside, marking a village or hamlet. About ten minutes after, the driver got down and opened a pair of gates; we passed through, and they clashed to behind us. We now slowly ascended a drive, and came upon the long front of a house: candle-light gleamed from one curtained bow-window; all the rest were dark. The car stopped at the front door; it was opened by a maid-servant; I alighted and went in.
“Will you walk this way, ma'am?” said the girl; and I followed her across a square hall with high doors all round: she ushered me into a room whose double illumination of fire and candle at first dazzled me, contrasting as it did with the darkness to which my eyes had been for two hours inured; when I could see, however, a cozy and agreeable picture presented itself to my view.
A snug, small room; a round table by a cheerful fire, an arm-chair, high-backed and old-fashioned, wherein sat the neatest imaginable little elderly lady, in widow's cap, black silk gown, and snowy muslin apron; exactly like what I had fancied Mrs. Fairfax, only less stately and milder looking. She was occupied in knitting; a large cat sat demurely at her feet; nothing, in short, was wanting to complete the beau ideal of domestic comfort. A more re-assuring introduction for a new governess could scarcely be conceived: there was no grandeur to overwhelm, no stateliness to embarrass; and then, as I entered, the old lady got up, and promptly and kindly came forward to meet me.
“How do you do, my dear? I am afraid you have had a tedious ride; John drives so slowly: you must be cold, come to the fire.”
“Mrs. Fairfax, I suppose?” said I.
“Yes, you are right: do sit down.”
She conducted me to her own chair, and then began to remove my shawl and untie my bonnet-strings: I begged she would not give herself so much trouble.
“Oh, it is no trouble; I dare say your own hands are almost numbed with cold. Leah, make a little hot negus and cut a sandwich or two: here are the keys of the storeroom.”
And she produced from her pocket a most housewifely bunch of keys, and delivered them to the servant.
“Now, then, draw nearer to the fire,” she continued. “You've brought your luggage with you, haven't you, my dear?”
“I'll see it carried into your room,” she said, and bustled out.
“She treats me like a visitor,” thought I. “I little expected such a reception; I anticipated only coldness and stiffness: this is not like what I have heard of the treatment of governesses; but I must not exult too soon.”
She returned; with her own hands cleared her knitting apparatus and a book or two from the table, to make room for the tray which Leah now brought, and then herself handed me the refreshments. I felt rather confused at being the object of more attention than I had ever before received, and that, too, shown by my employer and superior; but as she did not herself seem to consider she was doing any thing out of her place, I thought it better to take her civilities quietly.
“Shall I have the pleasure of seeing Miss Fairfax to-night?” I asked, when I had partaken of what she offered me.
“What did you say, my dear? I am a little deaf,” returned the good lady, approaching her ear to my mouth.
I repeated the question more distinctly.
“Miss Fairfax? Oh, you mean Miss Varens! Varens is the name of your future pupil.”
“Indeed! Then she is not your daughter?”
“No—I have no family.”
I should have followed up my first inquiry, by asking in what way Miss Varens was connected with her; but I recollected it was not polite to ask too many questions: besides, I was sure to hear in time.
“I am so glad,” she continued, as she sat down opposite me, and took the cat on her knee; “I am so glad you are come; it will be quite pleasant living here now with a companion. To be sure, it is pleasant at any time; for Thornfield is a fine old hall, rather neglected of late years perhaps, but still it is a respectable place; yet you know in winter-time one feels dreary quite alone, in the best quarters. I say alone—Leah is a nice girl, to be sure, and John and his wife are very decent people; but then you see they are only servants, and one can't converse with them on terms of equality: one must keep them a due distance for fear of losing one's authority. I'm sure last winter (it was a very severe one, if you recollect, and when it did not snow, it rained and blew), not a creature but the butcher and postman came to the house, from November till February; and I really got quite melancholy with sitting night after night alone; I had Leah in to read to me sometimes; but I don't think the poor girl liked the task much: she felt it confining. In spring and summer one got on better: sunshine and long days make such a difference; and then, just at the commencement of this autumn, little Adela Varens came and her nurse: a child makes a house alive all at once; and now you are here I shall be quite gay.”
My heart really warmed to the worthy lady as I heard her talk: and I drew my chair a little nearer to her, and expressed my sincere wish that she might find my company as agreeable as she anticipated.
“But I'll not keep you sitting up late to-night,” said she; “it is on the stroke of twelve now, and you have been traveling all day: you must feel tired. If you have got your feet well warmed, I'll show you your bedroom. I've had the room next to mine prepared for you; it is only a small apartment, but I thought you would like it better than one of the large front chambers: to be sure, they have finer furniture, but they are so dreary and solitary, I never sleep in them myself.”
I thanked her for her considerate choice; and as I really felt fatigued with my long journey, expressed my readiness to retire. She took her candle, and I followed her from the room. First she went to see if the hall door was fastened; having taken the key from the lock, she led the way up stairs. The steps and banisters were of oak; the staircase window was high and laticed; both it and the long gallery into which the bedroom doors opened, looked as if they belonged to a church rather than a house. A very chill and vault-like air pervaded the stairs and gallery, suggesting cheerless ideas of space and solitude; and I was glad, when finally ushered into my chamber, to find it of small dimensions, and furnished in ordinary modern style.
When Mrs. Fairfax had bidden me a kind good-night, and I had fastened my door, gazed leisurely round, and in some measure effaced the eerie impression made by that wide hall, that dark and spacious staircase, and that long, cold gallery, by the livelier aspect of my little room, I remembered that after a day of bodily fatigue and mental anxiety, I was now at last in safe haven. The impulse of gratitude swelled my heart, and I knelt down at the bedside, and offered up thanks where thanks were due; not forgetting, ere I rose, to implore aid on my further path, and the power of meriting the kindness which seemed so frankly offered me before it was earned. My couch had no thorns in it that night; my solitary room no fears. At once weary and content, I slept soon and soundly: when I awoke it was broad day.
The chamber looked such a bright little place to me as the sun shone in between the gay blue chintz window curtains, showing papered walls and a carpeted floor, so unlike the bare planks and stained plaster of Lowood, that my spirits rose at the view. Externals have a great effect on the young: I thought that a fairer era of life was beginning for me, one that was to have its flowers and pleasures, as well as its thorns and toils. My faculties, roused by the change of scene, the new field offered to hope, seemed all astir. I cannot precisely define what they expected, but it was something pleasant; not perhaps that day or that month, but at an indefinite future period.
I rose; I dressed myself with care: obliged to be plain—for I had no article of attire that was not made with extreme simplicity—I was still by nature solicitous to be neat. It was not my habit to be disregardful of appearance, or careless of the impression I made: on the contrary, I ever wished to look as well as I could, and to please as much as my want of beauty would permit. I sometimes regretted that I was not handsomer: I sometimes wished to have rosy cheeks, a straight nose, and small cherry mouth; I desired to be tall, stately, and finely developed in figure; I felt it a misfortune that I was so little, so pale, and had features so irregular and so marked. And why had I these aspirations and these regrets? It would be difficult to say: I could not then distinctly say it to myself; yet I had a reason, and a logical, natural reason too. However, when I had brushed my hair very smooth, and put on my black frock—which, Quaker-like as it was, had the merit of fitting to a nicety—and adjusted my clean white tucker, I thought I should do respectably enough to appear before Mrs. Fairfax; and that my new pupil would not at least recoil from me with antipathy. Having opened my chamber window, and seen that I left all things straight and neat on the toilet-table, I ventured forth.
Traversing the long and matted gallery, I descended the slippery steps of oak; then I gained the hall: I halted there a minute: I looked at some pictures on the walls (one I remember represented a grim man in a cuirass, and one a lady with powdered hair and a pearl necklace), at a bronze lamp pendent from the ceiling, at a great clock whose case was curiously carved, and ebon black with time and rubbing. Everything appeared very stately and imposing to me: but then I was so little accustomed to grandeur. The hall door, which was half of glass, stood open; I stepped over the threshold. It was a fine autumn morning; the early sun shone serenely on embrowned groves and still green fields: advancing on to the lawn, I looked up and surveyed the front of the mansion. It was three stories high, of proportions not vast, though considerable: a gentleman's manor-house, not a nobleman's seat: battlements around the top gave it a picturesque look. Its gray front stood out well from the background of a rookery, whose cawing tenants were now on the wing: they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn-trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation. Farther off were hills: not so lofty as those round Lowood, nor so craggy, nor so like barriers of separation from the living world; but yet quiet and lonely hills enough, and seeming to embrace Thornfield with a seclusion I had not expected to find existent so near the stirring locality of Millcote. A little hamlet whose roofs were blent with trees, straggled up the side of one of these hills; the church of the district stood nearer Thornfield: its old tower-top looked over a knoll between the house and gates.
I was yet enjoying the calm prospect and pleasant fresh air, yet listening with delight to the cawing of the rooks, yet surveying the wide, hoary front of the hall, and thinking what a great place it was for one lonely little dame like Mrs. Fairfax to inhabit, when that lady appeared at the door.
“What! out already?” said she. “I see you are an early riser.” I went up to her, and was received with an affable kiss and shake of the hand.
“How do you like Thornfield?” she asked. I told her I liked it very much.
“Yes,” she said, it is a pretty place: but I fear it will be getting out of order, unless Mr. Rochester should take it into his head to come and reside here permanently; or, at least, visit it rather oftener: great houses and fine grounds require the presence of the proprietor.”
“Mr. Rochester,” I exclaimed. “Who is he?”
“The owner of Thornfield,” she responded quietly. “Did you not know he was called Rochester?”
Of course I did not—I had never heard of him before; but the old lady seemed to regard his existence as a universally understood fact, with which everybody must be acquainted by instinct.
“I thought,” I continued, “Thornfield belonged to you.”
“To me? Bless you, child; what an idea! To me? I am only the housekeeper—the manager. To be sure I am distantly related to the Rochesters by the mother's side; or, at least, my husband was: he was a clergyman, incumbent of Hay—that little village yonder on the hill—and that church near the gates was his. The present Mr. Rochester's mother was a Fairfax, and second cousin to my husband; but I never presume on the connection—in fact it is nothing to me; I consider myself quite in the light of an ordinary housekeeper: my employer is always civil, and I expect nothing more.”
“And the little girl—my pupil?”
“She is Mr. Rochester's ward; he commissioned me to find a governess for her. He intends to have her brought up in —shire, I believe. Here she comes, with her ‘bonne,’ as she calls her nurse.” The enigma then was explained: this affable and kind little widow was no great dame, but a dependant like myself. I did not like her the worse for that; on the contrary I felt better pleased than ever. The equality between her and me was real; not the mere result of condescension on her part: so much the better—my position was all the freer.
As I was meditating on this discovery, little girl, followed by her attendant, came running up the lawn. I looked at my pupil, who did not at first appear to notice me: she was quite a child, perhaps seven or eight years old, slightly built, with a pale, small-featured face, and a redundancy of hair falling in curls to her waist.
“Good morning, Miss Adele,” said Mrs. Fairfax. “Come and speak to the lady who is to teach you, and to make you a clever woman some day.” She approached.
“C'est là ma gouverante?” said she, pointing to me, and addressing her nurse; who answered: “Mais oui, certainement.”
“Are they foreigners?” I inquired, amazed at hearing the French language.
“The nurse is a foreigner, and Adele was born on the Continent; and, I believe, never left it till within six months ago. When she first came here she could speak no English; now she can make shift to talk it a little: I don't understand her, she mixes it so with French; but you will make out her meaning very well, I dare say.”
Fortunately I had had the advantage of being taught French by a French lady; and as I had always made a point of conversing with Madame Pierrot as often as I could, and had, besides, during the last seven years, learned a portion of French by heart daily—applying myself to take pains with my accent, and imitating as closely as possible the pronunciation of my teacher—I had acquired a certain degree of readiness and correctness in the language, and was not likely to be much at a loss with Mademoiselle Adele. She came and shook hands with me when she heard that I was her governess; and as I led her in to breakfast, I addressed some phrases to her in her own tongue: she replied briefly at first, but after we were seated at the table, and she had examined me some ten minutes with her large hazel eyes, she suddenly commenced chattering fluently.
“Ah!” cried she, in French, “you speak my language as well as Mr. Rochester does: I can talk to you as I can to him, and so can Sophie. She will be glad: nobody here understands her: Madame Fairfax is all English. Sophie is my nurse; she came with me over the sea in a great ship with a chimney that smoked—how it did smoke! and I was sick, and so was Sophie, and so was Mr. Rochester. Mr. Rochester lay down on a sofa in a pretty room called the saloon, and Sophie and I had little beds in another place. I nearly fell out of mine; it was like a shelf. And Mademoiselle—what is your name?”
“Aire? Bah! I can not say it. Well: our ship stopped in the morning before it was quite daylight, at a great city—a huge city with very dark houses and all smoky; not at all like the pretty clean town I came from; and Mr. Rochester carried me in his arms over a plank to the land, and Sophie came after, and we all got into a coach, which took us to a beautiful large house, larger than this and finer, called a hotel. We staid there nearly a week: I and Sophie used to walk every day in a great green place full of trees, called the Park; and there were many children there besides me, and a pond with beautiful birds in it, that I fed with crumbs.”
“Can you understand her when she runs on so fast?” asked Mrs. Fairfax. I understood her very well, for I had been accustomed to the fluent tongue of Madame Pierrot.
“I wish,” continued the good lady, “you would ask her a question or two about her parents: I wonder if she remembers them?”
“Adele,” I inquired, “with whom did you live when you were in that pretty clean town you spoke of?”
“I lived long ago with mamma; but she is gone to the Holy Virgin. Mamma used to teach me to dance and sing, and to say verses. A great many gentlemen and ladies came to see mamma, and I used to dance before them, or to sit on their knees and sing to them: I liked it. Shall I let you hear me sing now?”
She had finished her breakfast, so I permitted her to give a specimen of her accomplishments. Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera. It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gayety of her demeanor, how little his desertion has affected her.
The subject seemed strangely chosen for an infant singer; but I suppose the point of the exhibition lay in hearing the notes of love and jealousy warbled with the lisp of childhood; and in very bad taste that point was: at least I thought so.
Adele sang the canzonette tunefully enough, and with the naïveté of her age. This achieved, she jumped from my knee and said, “Now, Mademoiselle, I will repeat you some poetry.”
Assuming an attitude, she began, La Ligue des Rats: fable de La Fontaine. She then declaimed the little piece with an attention to punctuation and emphasis, a flexibility of voice and an appropriateness of gesture, very unusual indeed at her age, and which proved she had been carefully trained.
“Was it your mamma who taught you that piece?” I asked.
“Yes; and she just used to say it in this way: ‘Qu’ avez vous donc? lui dit un deces rats; parlez!’ She made me lift my hand—so—to remind me to raise my voice at the question. Now shall I dance for you?”
“No, that will do: but after your mamma went to the Holy Virgin, as you say, with whom did you live then?”
“With Madame Frédéric and her husband: she took care of me, but she is nothing related to me. I think she is poor, for she had not so fine a house as mamma. I was not long there. Mr. Rochester asked me if I would like to go and live with him in England, and I said yes; for I knew Mr. Rochester before I knew Madame Frédéric, and he was always kind to me and gave me pretty dresses and toys: but you see he has not kept his word, for he has brought me to England, and now he is gone back again himself, and I never see him.”
After breakfast, Adele and I withdrew to the library; which room, it appears, Mr. Rochester had directed should be used as the school-room. Most of the books were locked up behind glass doors; but there was one book-case left open, containing every thing that could be needed in the way of elementary works, and several volumes of light literature, poetry, biography, travels, a few romances, etc. I suppose he had considered that these were all the governess would require for her private perusal; and, indeed, they contented me amply for the present; compared with the scanty pickings I had now and then been able to glean at Lowood, they seemed to offer an abundant harvest of entertainment and information. In this room, too, there was a cabinet piano, quite new and of superior tone; also an easel for painting, and a pair of globes.
I found my pupil sufficiently docile, though disinclined to apply: she had not been used to regular occupation of any kind. I felt it would be injudicious to confine her too much at first; so, when I had talked to her a great deal, and got her to learn a little, and when the morning had advanced to noon, I allowed her to return to her nurse. I then proposed to occupy myself till dinner-time in drawing some little sketches for her use.
As I was going up stairs to fetch my port-folio and pencils, Mrs. Fairfax called to me: “Your morning school-hours are over now, I suppose,” said she. She was in a room the folding-doors of which stood open: I went in when she addressed me. It was a large, stately apartment, with purple chairs and curtains, a Turkey-carpet, walnut-panelled walls, one vast window rich in stained-glass and a lofty ceiling, nobly molded. Mrs. Fairfax was dusting some vases of fine purple spar, which stood on a side-board.
“What a beautiful room!” I exclaimed, as I looked round; for I had never before seen any half so imposing.
“Yes, this is the dining-room. I have just opened the window, to let in a little air and sunshine; for every thing gets so damp in apartments that are seldom inhabited; the drawing-room yonder feels like a vault.”
She pointed to a wide arch corresponding to the window, and hung like it with a Tyrian-dyed curtain, now looped up. Mounting to it by two broad steps and looking through, I thought I caught a glimpse of a fairy place, so bright to my novice eyes appeared the view beyond. Yet it was merely a very pretty drawing-room, and within it a boudoir, both spread with white carpets, on which seemed laid brilliant garlands of flowers; both ceiled with snowy moldings of white grapes and vine-leaves, beneath which glowed in rich contrast crimson couches and ottomans; while the ornaments on the pale Parian mantel-piece were of sparkling Bohemian glass, ruby red; and between the windows large mirrors repeated the general blending of snow and fire.
“In what order you keep these rooms, Mrs. Fairfax!” said I. “No dust, no canvas coverings: except that the air feels chilly, one would think they were inhabited daily.”
“Why, Miss Eyre, though Mr. Rochester's visits here are rare, they are always sudden and unexpected; and as I observed that it put him out to find everything swathed up, and to have a bustle of arrangement on his arrival, I thought it best to keep the rooms in readiness.”
“Is Mr. Rochester an exacting, fastidious sort of man?”
“Not particularly so; but he has a gentleman's tastes and habits, and he expects to have things managed in conformity to them.”
“Do you like him? Is he generally liked?”
“Oh, yes; the family have always been respected here. Almost all the land in this neighborhood, as far as you can see, has belonged to the Rochesters time out of mind.”
“Well, but, leaving his land out of the question, do you like him? Is he liked for himself?”
“I have no cause to do otherwise than like him; and I believe he is considered a just and liberal landlord by his tenants: but he has never lived much among them.”
“But has he no peculiarities? What, in short, is his character?”
“Oh! his character is unimpeachable, I suppose. He is rather peculiar, perhaps; he has traveled a great deal, and seen a great deal of the world, I should think. I dare say he is clever; but I never had much conversation with him.”
“In what way is he peculiar?”
“I don't know—it is not easy to describe—nothing striking, but you feel it when he speaks to you: you can not be always sure whether he is in jest or earnest, whether he is pleased, or the contrary; you don't thoroughly understand him, in short—at least, I don't: but it is of no consequence, he is a very good master.”
This was all the account I got from Mrs. Fairfax, of her employer and mine. There are people who seem to have no notion of sketching a character, or observing and describing salient points, either in persons or things: the good lady evidently belonged to this class; my queries puzzled, but did not draw her out. Mr. Rochester was Mr. Rochester in her eyes; a gentleman, a landed proprietor—nothing more: she inquired and searched no further, and evidently wondered at my wish to gain a more definite notion of his identity.
When we left the dining-room, she proposed to show me over the rest of the house; and I followed her up stairs and down stairs, admiring as I went; for all was well-arranged and handsome. The large front chambers I thought especially grand; and some of the third story rooms, though dark and low, were interesting from their air of antiquity. The furniture once appropriated to the lower apartments had from time to time been removed here, as fashions changed; and the imperfect light entering by their narrow casements showed bedsteads of a hundred years old; chests in oak or walnut, looking, with their strange carvings of palm branches and cherubs’ heads, like types of the Hebrew ark; rows of venerable chairs, high-backed and narrow; stools still more antiquated, on whose cushion-tops were yet apparent traces of half-effaced embroideries, wrought by fingers that for two generations had been coffin-dust. All these relics gave to the third storey of Thornfield Hall the aspect of a home of the past: a shrine of memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds, shut in, some of them, with doors of oak; shaded, others, with wrought old English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings—all which would have looked strange, indeed, by the pallid gleam of moonlight.
“Do the servants sleep in these rooms?” I asked.
“No; they occupy a range of smaller apartments to the back; no one ever sleeps here: one would almost say that, if there were a ghost at Thornfield Hall, this would be its haunt.”
“So I think: you have no ghost, then?”
“None that I ever heard of,” returned Mrs. Fairfax, smiling.
“Nor any traditions of one? no legends or ghost-stories?”
“I believe not. And yet it is said the Rochesters have been rather a violent than a quiet race in their time: perhaps, though, that is the reason they rest tranquilly in their graves now.”
“Yes—‘after life's fitful fever, they sleep well,’“ I muttered. “Where are you going now, Mrs. Fairfax?” for she was moving away.
“On to the leads; will you come and see the view from thence?” I followed still, up a very narrow staircase to the attics, and thence by a ladder and through a trap-door to the roof of the hall. I was now on the level with the crow colony, and could see into their nests. Leaning over the battlements and looking far down, I surveyed the grounds laid out like a map: the bright and velvet lawn closely girdling the gray base of the mansion; the field, wide as a park, dotted with its ancient timber; the wood, dun and sere, divided by a path visibly overgrown, greener with moss than the trees were with foliage; the church at the gates, the road, the tranquil hills, all reposing in the autumn day's sun; the horizon bounded by a propitious sky, azure, marbled with pearly white. No feature in the scene was extraordinary, but all was pleasing. When I turned from it and repassed the trap-door, I could scarcely see my way down the ladder; the attic seemed black as a vault compared with that arch of blue air to which I had been looking up, and to that sunlit scene of grove, pasture and green hill of which the hall was the center, and over which I had been gazing with delight.
Mrs. Fairfax staid behind a moment to fasten the trap-door; I, by dint of groping, found the outlet from the attic, and proceeded to descend the narrow garret staircase. I lingered in the long passage to which this led, separating the front and back rooms of the third story: narrow, low, and dim, with only one little window at the far end, and looking, with its two rows of small black doors all shut, like a corridor in some Bluebeard's castle.
While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ear. It was a curious laugh; distinct, formal, mirthless. I stopped: the sound ceased, only for an instant; it began again, louder: for at first, though distinct, it was very low. It passed off in a clamorous peal that seemed to wake an echo in every lonely chamber; though it originated but in one, and I could have pointed out the door whence the accents issued.
“Mrs. Fairfax!” I called out: for I now heard her descending the great stairs. “Did you hear that loud laugh? Who is it?”
“Some of the servants, very likely,” she answered: “perhaps Grace Poole.”
“Did you hear it?” I again inquired.
“Yes, plainly: I often hear her; she sews in one of these rooms. Sometimes Leah is with her: they are frequently noisy together.”
The laugh was repeated in its low, syllabic tone, and terminated in an odd murmur.
“Grace!” exclaimed Mrs. Fairfax.
I really did not expect any Grace to answer: for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstance of ghostliness accompanied the curious cachinnation; but that neither scene nor season favored fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise.
The door nearest me opened, and a servant came out—a woman of between thirty and forty; a set, square-made figure, red-haired, and with a hard, plain face: any apparition less romantic or less ghostly could scarcely be conceived.
“Too much noise, Grace,” said Mrs. Fairfax. “Remember directions!” Grace curtesied silently and went in.
“She is a person we have to sew and assist Leah in her house-maid's work,” continued the widow; “not altogether unobjectionable in some points, but she does well enough. By-the-by, how have you got on with your new pupil this morning?”
The conversation, thus turned on Adele, continued till we reached the light and cheerful region below. Adele came running to meet us in the hall, exclaiming -
“Mesdames, vous êtes servies!” adding; “j'ai bien faim, moi!”
We found dinner ready, and waiting for us in Mrs. Fairfax's room.
— Tess, Owl Eyes Staff
Pacing is a common motif throughout Jane Eyre. Both Jane and Bertha are similar in their movements, specifically how they pace to and fro. This is just one of many examples of how Brontë draws parallels between the virginal protagonist, Jane, and her double, Bertha.
— Yasmeen, Owl Eyes Staff
This phrase alludes to the story of Bluebeard, a murderous duke, who tests all of his new wives by leaving the castle and telling them not to look behind a specific door. The wives become victims to their temptations when Bluebeard discovers they broke their promises. This allusion has an element of foreshadowing for Jane’s story, as it relates to the mystery of the attic later on.
— Yasmeen, Owl Eyes Staff
Throughout her childhood, Jane has relied on books to help her escape from her own life and live vicariously through fictional characters. Because Thornfield appears so grand and new, Jane associates it with fiction because she has not experienced much of life except through books.
— Yasmeen, Owl Eyes Staff
The fact that Jane has never exhibited any genuine interest in religion makes this an important element of the scene, marking a significant shift in her belief system. She is not attributing her lifestyle change to her own autonomous actions, but rather to God, whom she has never regarded as helpful before.
— Yasmeen, Owl Eyes Staff
Since Jane works for a living, many would consider her to be lower class. She expects to be treated badly because her view of herself is influenced by what she perceives others may think of her. Jane will frequently adjust her actions according to the social class she was hired into.
— Yasmeen, Owl Eyes Staff
Jane’s new home of Thornfield, just like her previous residences, is a play on words. It may reference the book of Genesis 3:18, which details the fall of man, foreshadowing another rough patch ahead for Jane.
— Yasmeen, Owl Eyes Staff
The following is one translation for this French passage: "'Madams, your dinner has been served!' adding; 'I'm famished!'"
— Yasmeen, Owl Eyes Staff
The following is one translation for this French sentence: “What is it that you have, then? one of the rats says; ‘Speak!'”
— Yasmeen, Owl Eyes Staff
In English, the work is called The Plot of the Rats: a Fable by Jean de la Fontaine.
— Yasmeen, Owl Eyes Staff
This is French for, “But yes, certainly.”
— Yasmeen, Owl Eyes Staff
This phrase is French for “Is this my governess?” It was assumed that educated people throughout Europe could understand French, so Brontë did not bother translating these passages. As a well-educated woman, she learned French in school and wrote in French in many of her novels.