Act I - Scene III
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Thunder and lightning. Enter Casca, and Cicero. |
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Exit Cicero. |
Enter Cassius. |
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Thunder still. |
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Enter Cinna. |
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Exeunt. |
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— Wesley, Owl Eyes Editor
As Casca explains in this speech, why do they need Brutus to join them in killing Caesar?
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— Wesley, Owl Eyes Editor
What does Cassius plan to do when he sees Brutus?
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— Wesley, Owl Eyes Editor
What has Cassius accomplished through his conversation with Casca?
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— Wesley, Owl Eyes Editor
In the context of his conversation with Cassius, why is Casca's response significant?
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— Wesley, Owl Eyes Editor
What does Cassius threaten to do if the Roman senate makes Caesar a king?
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— Wesley, Owl Eyes Editor
What is the most likely reason Cassius doesn't answer Casca's question directly?
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— Wesley, Owl Eyes Editor
How does Cassius interpret the violent storm and the unnatural events in Rome?
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— Wesley, Owl Eyes Editor
What is created in the scene through Cicero and Casca's discussion of the storm and the strange events in Rome?
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— Wesley, Owl Eyes Editor
In replying to Cicero's question, how many other supernatural events has Casca seen in Rome?
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— Zachary, Owl Eyes Editor
Casca uses alchemy–the antiquated practice of turning lead to gold–as a metaphor for the power of political rhetoric. Throughout Julius Caesar, nothing is truly lead or gold, but the right words can make it seem so.
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— Zachary, Owl Eyes Editor
Cassius’s understanding of the world centers around a belief in free will and agency. He seeks to assign responsibility to himself and his fellow Romans for the current state of political affairs. Not content to buy into a narrative that renders Caesar’s rise inevitable, he blames the citizens of Rome for allowing it to happen. Cassius in turn takes on the responsibility to shape events to come.
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— Zachary, Owl Eyes Editor
Shakespeare makes dramatic use of the Roman tradition of augury: reading the future in the patterns of nature. Shakespeare has begun to toy with the play’s sense of realism. Casca claims to have seen supernatural figures around Rome: lions, “ghastly women,” “men all in fire.” The audience cannot tell whether these things exist in the world of the play or in Casca’s mind. The question of realism reaches a peak in Act IV, when both Brutus and the audience confront the ghost of Caesar.
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— Susan Hurn
The terrible storm, raining fire, and the catalog of other frightening supernatural events illustrate a Shakespearean convention found in several of his dramas in which a ruler is betrayed and brought down. They create a sense of foreboding and suggest that nature itself rebels at the violent destruction of the social order through the killing of a head of state. The description of supernatural events occurring the night before Caesar's assassination is similar to the description of the horrible, unnatural events that take place the night when King Duncan is murdered by Macbeth.
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— Susan Hurn
The conspirators, led by Cassius, intend to go to Brutus's house in the middle of the night, wake him up, and convince him to commit to assassinating Caesar. Their haste in getting Brutus's commitment is explained by several facts established in the scene. The scene takes place the night before Caesar plans to go to the senate, where he may be offered a crown, making him the undisputed ruler of Rome. The conspirators are running out of time; they must act, and without Brutus, they risk being seen as traitors rather than liberators. The setting of the scene is the night before the Ides of March, which imbues it with strong dramatic irony.
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— William Delaney
That is, different men may interpret things in different ways, each in accordance with his own peculiar perspective, intelligence, disposition, education, personal experience, religious beliefs, and so on. Cicero seems to have been introduced here mainly because he was such a famous figure in Roman history and the audience would be intrigued to seem to be getting a glimpse of him. Shakespeare could not produce the phenomena Casca is describing with light- and sound-effects; he needed to have someone for Casca to talk to, so he brought in an actor portraying Cicero and then the one portraying Cassius. Casca is less intelligent and more superstitious than both these men.
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— William Delaney
Casca shows by this statement that he is ever a follower and never a leader. He is probably not an innovator because he is portrayed by Shakespeare as lacking in intelligence and imagination.