Act III - Scene I
[The wood] |
Enter the clowns, [Quince, Snug, Bottom, Flute, Snout, and Starveling] |
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Enter Robin [Goodfellow (Puck)] |
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Exit Pyramus [Bottom] |
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[Exit] |
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[Re-enter Puck, and Bottom with an ass's head] |
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The clowns all exit. {Puck remains.] |
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Exit |
Enter [Bottom] with the Asshead |
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[Re-]enter Snout |
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[Exit Snout] |
[Re-]enter Peter Quince |
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[Exit] |
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Enter four Fairies: Peaseblossom, Cobweb, Moth, and Mustardseed |
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[Exeunt] |
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— Wesley, Owl Eyes Editor
Titania, under the influence of Oberon’s love juice, has declared her love for the ass-headed Bottom. Her declaration here also introduces a negative aspect of love: jealousy. Since Titania is the more powerful and a jealous lover, she attempts to use her power to completely overpower Bottom’s own wishes so that she can have complete control over her love object.
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— Wesley, Owl Eyes Editor
Having heard Bottom say that women might not be able to cope with his character killing himself on stage, Snout utters this oath to express his agreement. The expression “by’r lakin” is a shortening of “By our lady,” (a reference to the Virgin Mary) and the adjective “parlous” means “perilous.” Snout is therefore saying that Bottom has pointed out a real problem with their play, which the audience will know is not a real issue. As the clowns continue to practice their play, they continue to make errors and demonstrate their ineptitude with carrying on a performance.
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— Kayla, Owl Eyes Staff
Here, the men are arguing about the meter of the play. When Quince says that the play’s prologue should be “written in eight and six,” he is referring to the traditional English ballad meter that featured alternating lines of eight and six syllables rhyming ABAB. Bottom suggests that they write in the style of “eight and eight,” thinking that the extra syllables would make the meter more grand. However, this actually illustrates Bottom’s lack of familiarity with poetic forms, since he does not seem to understand Quince’s reference.
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— Wesley, Owl Eyes Editor
Having seen the clowns working on their play, Puck decides to have his own fun by orchestrating a play of his own. This not only reveals his desire to create mischief, but it also provides another example of a character trying to act as a playwright within the play by forcing others to act out roles.
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— Kayla, Owl Eyes Staff
Bottom means to say “odorous,” which today generally describes anything that gives off a scent, but which originally meant sweet-smelling and pleasantly fragrant. However, he botches his line and describes Thisbe as “odious” meaning hated, again emphasizing the lack of acting talent these men have.
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— Wesley, Owl Eyes Editor
Bottom claims that his fellows are trying to make him an “ass,” or appear foolish by their “knavery,” or their making fun of him. What he doesn’t know is that Puck has literally given him the head of an ass, or a donkey, making this statement quite ironic.
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— Wesley, Owl Eyes Editor
Bottom, still full of self-importance, tells Titania that it doesn’t really make any logical sense for her to love him. His observation that reason and love often have little to do with one another actually has some wisdom to it: the irrational nature of love is a pervasive theme throughout the play.