Act III - Scene I
[Before the castle.] |
Enter Cassio, with Musicians, and the Clown. |
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Enter Emilia. |
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Exeunt. |
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— Zachary, Owl Eyes Editor
According to Emilia’s report, Othello has mixed feelings about Cassio’s reinstatement. On the one hand, Cassio attacked Montano, a man of high repute, and thus shamed himself. On the other hand, Othello loves Cassio and has the power—”needs no other suitor but his likings”—to return Cassio to his rank.
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— Zachary, Owl Eyes Editor
Iago is from Venice; Cassio, Florence. In this remark, Cassio compares Iago to his fellow Florentines, finding the man just as kind and honest. This reiterates one of the play’s central sources of irony: despite his intentions, Iago is consistently praised for his upright moral character.
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— Zachary, Owl Eyes Editor
The clown, continuing his ribbing, subtly calls the sound of the wind instruments flatulent. Even in a play as serious as Othello, Shakespeare is sure to include a fart joke. Shakespeare understood the value of comedic relief, incorporating a clown or jester in each of his plays.
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— Zachary, Owl Eyes Editor
The clown’s joke originates from the reputation of Naples as a hotbed of syphilis. The sharp, nasal tone of the instruments sounds similar to that of a man whose nose is affected by syphilis. Shakespeare’s plays are a blend of high and low sensibilities. In each of his plays, one can find both serious meditations and dirty jokes.
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— Zachary, Owl Eyes Editor
The opening of Act III finds Cassio working to undo the damage he did in Act II. Here he sets a group of musicians to play in front of Othello’s house in an attempt to regain favor with his general.