Act III - Scene III
Another part of the island. |
[Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, and Francisco] |
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[They sit] |
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[Solemn and strange music] |
[Enter Prospero, invisible] |
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[Enter several strange shapes, bringing in a banquet; they dance about it with gentle actions of salutation; and, inviting the King and his companions to eat, they depart] |
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[Alonso, Sebastian, and Antonio approach the table.] |
[Thunder and lightning]. Enter Ariel, like a harpy, claps his wings upon the table, and, with a quaint device, the banquet vanishes] |
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[He vanishes in thunder; then, to soft music, enter the shapes again, and dance with mocks and mows, and carrying out the table] |
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[Exit above] |
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[Exit] |
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[Exeunt Sebastian and Antonio] |
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[Exeunt] |
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— Kayla, Owl Eyes Staff
“Viands” are victuals or provisions. Even though the “natives” have vanished, they have left behind their banquet of food.
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— Kayla, Owl Eyes Staff
A “dewlap” is the fold of loose skin which hangs from the throat of cattle. The term can also be used to describe this feature in other animals, or humans.
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— Wesley, Owl Eyes Editor
By “a living drollery,” Sebastian means that the site is a very vivid, odd, and humorous thing, almost like a living puppet show. His surprise at seeing such a display causes him to reflect on whether or not other myths are believable, such as the existence of unicorns or a phoenix.
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— Kayla, Owl Eyes Staff
A “dowl” is one of the fibers of a feather. Ariel essentially implies that the men’s swords are useless, and that they would be better off slashing them at empty air than attempting to cut even one “dowl” from his “plume.”
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— Wesley, Owl Eyes Editor
The stage action here refers to a “quaint device” that makes the banquet disappear. Since the adjective “quaint” means of skillful or elegant design, then readers can understand that the banquet likely disappears in a magical flourish, leaving the men baffled that it has suddenly left their sight.