Act II - Scene VI
Enter the maskers, Gratiano and Salerio. |
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[Enter] Jessica above. |
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[Exit above] |
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Exit [with Jessica and Salerio] |
Enter Antonio |
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Exeunt. |
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— Caitlin, Owl Eyes Staff
Notice that all of Lorenzo's compliments or reasons why he loves Jessica are mediated by this "if." This suggests that Lorenzo is not sure, but instead doubts his judgement and his eyes. His final compliment, that she has "proved herself true," is contradicted by the very action of running away with him: she has proved herself untrue to Shylock. This list of things he loves about her are undermined by the language that he uses to describe his love.
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— Caitlin, Owl Eyes Staff
"Beshrew" was a colloquial way to say, "curse me." In this line, Lorenzo states that he loves Jessica against his better judgement.
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— Caitlin, Owl Eyes Staff
Notice how many times money and appearance come up in this scene. Unlike the balcony scene in Romeo and Juliet in which the characters spend their time expressing ardent love for one another, these two lovers seem to be focused on anything but the other person. Jessica's constant mentioning of money could suggest that she fears Lorenzo is only interested in the money she brings to the marriage.
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— Caitlin, Owl Eyes Staff
Much of this play explores the theme of outward appearance vs. internal content. From the caskets that are outwardly beautiful but inwardly grotesque, to the Christians with outward claims of piety and inward desires for wealth, gender reversal is yet another instance in which something is not as it appears to be.
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— Caitlin, Owl Eyes Staff
Notice that unlike Portia's caskets, from which suitors must choose lead instead of gold or silver, Jessica chooses a casket full of gold and silver to throw to Lorenzo. In Jessica's case, the money is what makes Lorenzo's labors "worth the pains." In Portia's case, Portia is the prize that men get for their pains.
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— Caitlin, Owl Eyes Staff
By this, Salerio means that new lovers move faster than married lovers since new lovers have not yet sealed their bond. Notice the language of monetary transaction used to describe love here.
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— Caitlin, Owl Eyes Staff
Venus is the Roman goddess of love. In mythology she drives a chariot pulled by doves. Calling the birds that pull her chariot "pigeons" makes a joke out of the mythological story.