Analysis Pages
Historical Context in Doctor Faustus
Marlowe based the The Tragical History of Doctor Faustus, commonly called Doctor Faustus, off of the German legend The History of the Damnable Life and Deserved Death of Doctor John Faustus. Though the source text shares a very similar story of a scholar selling his soul for knowledge and power, Marlowe complicates his story by incorporating contemporary debates about faith, power, and the pursuit of knowledge. The Renaissance, a movement that began in Italy and valued education, human interests, and the individual rather than theological concerns, coincided with the Protestant Reformation, a religious movement that challenged Catholic doctrine in places such as Germany and England. Both movements challenged the social, religious, and political frameworks that shaped the medieval world. Humanism, a cultural and intellectual movement that rejected medieval scholasticism in favor of ancient Greek and Roman philosophy, is particularly important to understanding Doctor Faustus. Like Shakespeare and other contemporaries, Marlowe includes numerous allusions and references to ancient Greek and Roman literature.
Versions of the Text: While originally composed between 1588 and 1592, Doctor Faustus was not printed until 1604. This version of the text is referred to as the “A Text.” The “B Text” was published in 1616. It is significantly longer and altered to comply with censorship laws that were passed in 1604. Additions to this text reference people and events that occurred after Marlowe died. Thus, the “A Text” is considered to be closer to Marlowe’s original.
Historical Context Examples in Doctor Faustus:
Chorus 1
🔒"Chorus..." See in text (Chorus 1)
"Wertenberg..." See in text (Chorus 1)
"Carthaginians..." See in text (Chorus 1)
Scene 1
🔒"Ubi desinit Philosophus, ibi incipit Medicus:..." See in text (Scene 1)
"Bene disserere est finis logices..." See in text (Scene 1)
"Albanus'..." See in text (Scene 1)
"Bacon's..." See in text (Scene 1)
"Delphian Oracle..." See in text (Scene 1)
"Philip's treasury..." See in text (Scene 1)
"CORNELIUS..." See in text (Scene 1)
"Musaeus..." See in text (Scene 1)
"Agrippa..." See in text (Scene 1)
"Prince of Parma..." See in text (Scene 1)
"Jove..." See in text (Scene 1)
"Jerome's Bible..." See in text (Scene 1)
"Justinian? ..." See in text (Scene 1)
Scene 2
🔒"phlegmatic..." See in text (Scene 2)
Scene 3
🔒"four and twenty years..." See in text (Scene 3)
"Elysium;..." See in text (Scene 3)
"Franciscan friar;..." See in text (Scene 3)
"Mephistophilis...." See in text (Scene 3)
"Belzebub,..." See in text (Scene 3)
"Demogorgon,..." See in text (Scene 3)
"Gehennam..." See in text (Scene 3)
Scene 4
🔒"Swowns..." See in text (Scene 4)
Scene 5
🔒"March-beer..." See in text (Scene 5)
"Peter Pickleherring and Martin Martlemas-beef..." See in text (Scene 5)
"old leathern bag..." See in text (Scene 5)
"COVETOUSNESS..." See in text (Scene 5)
"cloth of arras..." See in text (Scene 5)
"Seven Deadly Sins..." See in text (Scene 5)
"think of the devil, And of his dam too...." See in text (Scene 5)
"aspects..." See in text (Scene 5)
"How many heavens, or spheres, are there?..." See in text (Scene 5)
"intelligentia..." See in text (Scene 5)
"situ et tempore..." See in text (Scene 5)
"erring stars..." See in text (Scene 5)
"celestial bodies..." See in text (Scene 5)
"he that built the walls of Thebes..." See in text (Scene 5)
"Oenon's death..." See in text (Scene 5)
"Alexander's love..." See in text (Scene 5)
"Homer..." See in text (Scene 5)
"Saba..." See in text (Scene 5)
"Penelope..." See in text (Scene 5)
"A plague on her for a hot whore!..." See in text (Scene 5)
"Rather illusions—fruits of lunacy,(20) That makes men foolish that do trust them most...." See in text (Scene 5)
Chorus 2
🔒"Peter's feast,..." See in text (Chorus 2)
Scene 7
🔒"purgatory,..." See in text (Scene 7)
"Phlegethon..." See in text (Scene 7)
"Acheron..." See in text (Scene 7)
"Styx..." See in text (Scene 7)
"Ponte Angelo..." See in text (Scene 7)
"Julius Cæsar..." See in text (Scene 7)
"Maro's golden tomb..." See in text (Scene 7)
"Maine fall into Rhine..." See in text (Scene 7)
Scene 8
🔒"O nomine Domini!..." See in text (Scene 8)
Scene 9
🔒"Diana turned me to a stag!..." See in text (Scene 9)
"beauteous paramour,..." See in text (Scene 9)
"Alexander the Great..." See in text (Scene 9)
Scene 10
🔒"HORSE-COURSER...." See in text (Scene 10)
Scene 12
🔒"Arethusa's..." See in text (Scene 12)
"hapless Semele..." See in text (Scene 12)
"return to Helen for a kiss..." See in text (Scene 12)
"Achilles..." See in text (Scene 12)
"Was this the face that launched a thousand ships,..." See in text (Scene 12)
"Faustus now will come to do the right..." See in text (Scene 12)
"OLD MAN...." See in text (Scene 12)
"Helen of Greece..." See in text (Scene 12)
Scene 13
🔒"Pythagoras' metempsychosis..." See in text (Scene 13)
Epilogue
🔒"Terminat hora diem; terminat auctor opus...." See in text (Epilogue )