Act III - Scene II
Capulet's orchard. |
Enter Juliet alone. |
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Throws them down. |
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— Caitlin, Owl Eyes Staff
During Shakespeare's time, a woman's duty was to marry and produce children. A daughter's primary duty was to her father until marriage at which point it transferred to her husband. Juliet, a radical female character for her time who chooses to marry outside of her father's consent, uses this speech to weigh her choices. She does not automatically decide that her duty is to Romeo simply because he is her husband; she comes to that decision through reason.
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— Caitlin, Owl Eyes Staff
Juliet marks the change from comedy to tragedy in this line. In a comedy, the play ends with a marriage and the "death" of the maidenhead. In a drama, the play ends with the characters' death. Now that Tybalt is dead and Romeo is banished, her wedding night will end with death instead of sex.
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— Caitlin, Owl Eyes Staff
Juliet rationalizes Romeo's action by blaming Tybalt. In this way she is able to continue to love Romeo and forgive him for killing her cousin. Juliet's decision to stand by Romeo after Tybalt's death sets up her tragic end to come.
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— Caitlin, Owl Eyes Staff
Juliet recalls that the word of Romeo's banishment is worse than word of Tybalt's death. Remember that at the beginning of this scene, Juliet figured herself and Romeo as of one body; she has no self outside of him. Thus, Juliet's metaphors that construed Romeo as two things, evil being hidden in good looks, are now replaced by justifications for Romeo's actions.
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— Caitlin, Owl Eyes Staff
A "dove-feather'd raven" is a black ominous bird, the raven, hidden within the white feathers of a love bird, the dove. A "wolvish-ravening lamb" is a saying that is similar to the modern saying a wolf in sheep's clothing. With all of these paradoxes, Juliet points to the seemingly two-faced nature of her lover: what she believed was his perfect and pure soul was actually a covering for a hideous and malicious interior.
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— Caitlin, Owl Eyes Staff
"Serpent heart" is an allusion to Satan in the Garden of Eden. Satan tricked Eve into eating the apple that got her and Adam banished from Eden by hiding behind an innocent face.
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— Caitlin, Owl Eyes Staff
The Nurse takes up Juliet's language here in order to remove Romeo from the action. "It," Romeo's hand, killed Tybalt; not Romeo.
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— Caitlin, Owl Eyes Staff
Juliet phrases this question in an interesting way. Rather than directly asking if Romeo killed Tybalt, she displaces the action into Romeo's hand. In this way she is able to dissociate Romeo from the action and continue seeing him as her pure and perfect lover.
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— Caitlin, Owl Eyes Staff
Notice that the Nurse again delays the information by inserting herself into the narrative. While before she was teasing impatient Juliet about her marriage, here her delay indicates the unspeakable nature of what has happened. Notice how tropes of the comedy are repeated and changed now that they exist within a tragic context.
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— Caitlin, Owl Eyes Staff
Juliet foreshadows her reaction to Romeo's eventual death. Without him, she cannot be herself or anyone else. Juliet's identity has become inextricably linked to Romeo's identity. Here, Juliet inadvertently offers the audience an explanation for her coming suicide.
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— Caitlin, Owl Eyes Staff
This is another name for the mythological creature the basilisk. Anyone who looks a basilisk directly in the eyes turns into stone. In this metaphor, Juliet claims that the Nurse's confirmation of Romeo's death would be able to kill faster than the basilisk's stare.
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— Caitlin, Owl Eyes Staff
"Envious" in this context means angry or full of ill-will. However, it also invokes the other meaning of envious, to be full of jealousy. Juliet believes that the Nurse is talking about Romeo being dead and that he was taken by death because heaven was jealous of their love or full of malice.
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— Caitlin, Owl Eyes Staff
"Hood" is a falconry maneuver used to tame wild birds. "Baiting" is when frightened birds flap their wings in response to being restrained to a perch. A falconer will "hood" a bird to calm it down. Juliet uses this falconry metaphor in order to show that she is both nervous and excited about her wedding night.
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— Caitlin, Owl Eyes Staff
Juliet plays with this paradox in order to assert that she will lose her virginity this night. In losing her virginity she wins something else, a long life with her love. Juliet does not yet know that in the previous scene death and tragedy have entered into her story. This monologue returns to the world of comedy that revolves around marriage instead of death.
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— Caitlin, Owl Eyes Staff
Here, "curtain" refers to the cloak of night and the curtain that encircled a bed to block out light and prying eyes. Curtain in this sense invokes both secrecy and the marriage bed. In this way, Juliet marks the night as a place in which her love with Romeo will manifest and be allowed to exist.
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— Caitlin, Owl Eyes Staff
Phaeton was Phoebus's son who was allowed to drive the chariot carrying the sun when he requested proof of his father's power. However, Phaeton cannot control the horses, and Zeus strikes him down in order to protect the Earth from the sun.
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— Caitlin, Owl Eyes Staff
Phoebus was another name for the Apollo, the God of the sun. The steeds Juliet references are those that pull Apollo's chariot, which carried the sun. Juliet uses this allusion to ask for the night to come faster.
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— Jamie Wheeler
Refers to the trumpet of the Last Judgment in the Book of Revelation.