Act II - Scene II
Capulet's orchard. |
Enter Romeo. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Exit. |
|
Enter Juliet above. |
|
|
|
|
|
|
|
|
Enter Juliet again, above. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-
— Caitlin, Owl Eyes Staff
There is a comedic element to this line because Juliet's "thousand times goodnight" is not actually good night, she will return to the stage to make sure that Romeo will meet her in the morning. For all of her stoic instruction and rational contemplation of the meaning of names, her inability to say good night once demonstrates Juliet's simultaneous excitement about her love and worry that her love is not genuine. This first farewell has become one of the most famous lines of this play.
-
— Caitlin, Owl Eyes Staff
"Sweet sorrow" is an oxymoron that encompasses Romeo and Juliet's relationship which is composed of ecstatic love and complicated sorrow over their family's rivalry. This line may also underscore the relationship the audience has to this play. It is at once one of the greatest examples of pure, young love, but also one of the best known tragedies in the Western canon. It is both a sweet tale of love and a bleak tale of loss and sorrow. Juliet characterizes the bitter sweet nature of her tragic love in one of the most iconic lines in this play.
-
— Caitlin, Owl Eyes Staff
Notice that birds are a motif throughout this play. They often highlight the themes of light and dark, day and night, or beauty and love. Birds symbolize modesty, fidelity, and innocence. However, they are also fragile, vulnerable, and delicate. Birds appear throughout the story to underscore the beauty and fragility of Romeo and Juliet's love, and to mark the transition from a space in which love keeps them safe to a space in which the real world intrudes on that space. In this way, birds are both a symbol of their perfect love and an omen of their coming deaths.
-
— Caitlin, Owl Eyes Staff
"Wanton" in this context means a spoiled child. Here, Juliet constructs an image of a spoiled child playing with a pet bird. The bird can fly but it cannot get far because it is connected to the child's hand by gyves, or shackles. Juliet compares herself to the spoiled child and Romeo to the shackled bird.
-
— Caitlin, Owl Eyes Staff
Echo is a mythological character who fell in love with Narcissus, a beautiful man who was capable of loving only himself. Once rejected by her love, Echo pined after Narcissus in a cave until there was nothing left of her but her voice. Juliet alludes to Echo in order to emphasize her dedication to calling for Romeo; she would make both herself and Echo hoarse with his name.
-
— Caitlin, Owl Eyes Staff
Here Juliet references her "bondage," or servitude, to her family in order to lament her inability to loudly call out to Romeo. Because she is "imprisoned" by her family, she cannot openly express her love or call to her lover, and must instead talk to him in hoarse whispers.
-
— Caitlin, Owl Eyes Staff
Juliet compares Romeo to a "tassel-gentle" a falcon or goshawk generally given to princes because they were easy to tame. Juliet wants Romeo to come to her as if he were a well trained hawk. Notice that this metaphor implicitly makes Juliet Romeo's master.
-
— Caitlin, Owl Eyes Staff
Throughout this scene, Juliet cuts off Romeo's romantic poetry impulses. When she leaves the stage, we finally hear a full metaphor in which Romeo compares love's desire for love to a boy's desire to avoid his school books. This is an odd, if not poorly crafted, metaphor that demonstrates Romeo's sudden inability to create romance poetry. This could suggest that Juliet has succeeded in educating her lover, and Romeo's love is now grounded in reality instead of part of a poetic discourse about love.
-
— Caitlin, Owl Eyes Staff
In this context, "bent" means inclination or desire. Marriage and courtship were much different in Shakespeare's time. Generally, relations of any kind outside of marriage, including kissing, vowing love, or being alone together, were seen as dishonorable. Marriages were arranged by parents and courtships were supervised by a servant such as a nurse or a family member. Because Romeo and Juliet's families would never consent to this marriage, they must police their desire without the help of social conventions. This rapid engagement and marriage could be seen as more evidence of the backwards world created by their parent's feud.
Thus, Romeo and Juliet must make all of the arrangements for their marriage and police their own honor.
-
— Caitlin, Owl Eyes Staff
Night in Shakespeare's plays, such as Hamlet and Macbeth, often symbolizes evil, the uncanny, or danger. However, in Romeo and Juliet the night is "blessed" and the lovers are protected by the "cloak of night." Night becomes a place of safety within this play because the feud between the two families exists in the day-lit streets. The positive depiction of the night shows us how backwards and dangerous these character's reality is.
-
— Caitlin, Owl Eyes Staff
Notice that Juliet speaks separately to both her Nurse and Romeo in this line. Since there were few stage directions in Shakespeare's plays, actors would have to interpret lines such as this to show different addresses with body language, volume, and tone. Notice throughout the rest of Juliet's part in this scene how she transitions between these two registers.
-
— Caitlin, Owl Eyes Staff
By "unsatisfied" Romeo could mean either the satisfaction of Juliet's vow or sexual satisfaction. While scholars have successfully read both interpretations into the line, what is most important to recognize in this exchange is that Juliet checks Romeo's haste. She forces him to wait until they can be married the following day until any satisfaction can occur. This is another instance in which Juliet teaches Romeo how to love and moves his poetic love into real love.
-
— Caitlin, Owl Eyes Staff
While Romeo has the impulse to use romantic poetic tropes, such as professing one's love using the cosmos, Juliet forces him to ground his love in something more concrete and realistic. In this way Juliet is able to refashion Romeo's love at first sight romantic discourse into a love that is more real.
-
— Caitlin, Owl Eyes Staff
Jove is another name for Jupiter, the king of the Roman Gods fashioned after the Greek god Zeus. This line is an allusion to the then common saying from Ovid's Ars Amatoria, “Jupiter from on high smiles at the perjuries of lovers."
-
— Caitlin, Owl Eyes Staff
Women "painting" their faces with makeup was a problematic issue in Shakespeare's time. Makeup was generally associated with prostitution or wantonness. Here, Juliet offers a different type of painting of her cheeks. Rather than using makeup, her innocence causes her cheeks to be painted with blush. In using this metaphor Juliet is seen as the epitome of innocence and purity.
-
— Caitlin, Owl Eyes Staff
While Romeo says this statement to be flattering, and probably slightly teasing, notice that his metaphor makes Juliet's love a commodity.
-
— Caitlin, Owl Eyes Staff
This means to fly over. It connotes overcoming a great obstacle. The heaviness of "overperched" is juxtaposed with the lightness of "love's wings" to suggest that love makes even the most daunting of obstacles easy to overcome. Romeo answers Juliet's fears by implicitly asserting that love can overcome all odds.
-
— Caitlin, Owl Eyes Staff
"Counsel" in this context means one's private thoughts. This question affirms that Juliet did not know that Romeo was listening to her.
-
— Caitlin, Owl Eyes Staff
Here Romeo refers to Baptism, the Christian tradition which symbolizes rebirth of a new more holy self. Notice that Juliet's love, not faith in God, is what would grant Romeo his new self.
-
— Caitlin, Owl Eyes Staff
Ironically in this line and the ones that follow, Juliet claims that names are superficial and unimportant in order to emphasize that Romeo can shed his name. The fixation on Romeo's name coupled with this dismissal of a name's importance demonstrates Juliet's conflict: while the name is unimportant to Juliet, it is everything to the society in which she lives.
-
— Caitlin, Owl Eyes Staff
In this catalogue of Romeo's body parts, Juliet performs a type of reverse-blazon. Remember that the blazon is a poetic trope in which the poet fragments his love object into her body parts in order to praise each one individually. Juliet uses the blazon here to focus on the parts of Romeo that she loves while rejecting the part of Romeo that she hates, his name and connection to the Montagues.
-
— Caitlin, Owl Eyes Staff
"Wherefore" means why, as in Why are you Romeo? Notice that Juliet asks Romeo to forsake his name but only states his first name, not the title, Montague, that is so problematic. This is an example of apostrophe, a type of dramatic speech in which a character speaks to an inanimate object or person who is absent. Juliet does not know that Romeo can hear her.
-
— Caitlin, Owl Eyes Staff
By this Romeo means that he believes Juliet is calling to him with her eyes. He quickly realizes that this is not true and that he is being too bold in believing she knows he is there or wants him. Notice that Romeo applies the same hyperbolic attraction and assumed rejection to Juliet that he felt when he was in love with Rosaline.
-
— Caitlin, Owl Eyes Staff
A "vestal livery" is the outfit worn by virgins who serve Diana. The "sick and green" to which Romeo refers is the green sickness, or virgin sickness. It was believed in Shakespeare's time that a girl going through puberty suffered from anemia and could only be cured of this disease if they were relieved of their virginity. Here Romeo chastises Diana's virgin outfit and thus makes an argument against Juliet's virginity.
-
— Caitlin, Owl Eyes Staff
In Greek mythology, Diana was the goddess of the moon. Here Romeo tells Juliet to be not her Diana's maid, since Juliet is more beautiful than Diana and the goddess will be envious.
-
— Caitlin, Owl Eyes Staff
Romeo stands below Juliet's window and notices a light go on inside. He reacts by constructing an extended metaphor that compares Juliet to the sun. In the original copy of this play there is no stage direction that marks when Juliet enters the stage. So it is unclear whether or not Shakespeare originally intended Romeo to respond to her presence or the light in the room.
-
— Caitlin, Owl Eyes Staff
This "he" refers to Mercutio and his jests from the previous scene. In this way Romeo links Scene II to Scene I and shows us that this break between scenes is more of a thematic break than a break between places or plot points. The action is continuous.
-
— Jamie Wheeler
A play on words. She is still her father's "propery" (horse) and as such, she must be quiet (hoarse = whisper).